Wednesday, November 26, 2025

Writing Is About The Process, Not The Output

Normally when I talk about writing I'm concerned with the technical aspects of storytelling, and trying to help folks overcome common pitfalls. However, with the advent of plagiarism software, I think there is something that really needs to be addressed. Something that is so intrinsic to making any kind of art that we didn't even need to put it into words before now... but this is the world we live in.

In short, the output you generate is worthless if it doesn't have a soul. What makes a story, a drawing, or a sculpture worthwhile is that it reflects the process the creator went through. It has to be the result of action, creativity, blood, sweat, and tears. If all you did was turn the assignment over to a computer to execute on your behalf then not only did you not make something, but you are poorer because you didn't even have the experience of making something.

That is what makes art valuable, and what lends it a unique flavor; the fact that it is made by a human creator who did their best to execute this piece to the fullest extent of their ability.

You can't trust the process if you aren't even going through it!

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

Making Art Is About Having An Experience


I want to take a moment to reference a piece of fiction from a place even bleaker than our world, but which at least realized it should ban any form of Abominable Intelligence. In the grim darkness of Warhammer 40K, the Emperor of Mankind genetically engineered several sons who were colossal in size, strength, and power, considered demigods forged from science and warp-touched sorcery. One of these was Fulgrim, a being who sought perfection in himself, and in all things.

Fulgrim once entered a competition to carve a statue against a baseline human sculptor. Like something out of a Greek myth, the human artist couldn't hope to defeat Fulgrim... but somehow he did. Because while Fulgrim executed a technically perfect piece of art, there was no denying that the other man had carved something that truly made a connection with the observer. There was a soul to his art that people could read into, gaze upon, and which made one feel something. When they looked upon Fulgrim's statue, all they saw was a flawless depiction of a subject, but it seemed empty. Hollow. It had no soul, and no story to tell. Even Fulgrim himself, enraged and with his pride bleeding, acknowledged that the human had made a better piece of art than he had... he just couldn't understand why.

How... how do they do it!?

There are dozens of examples of fiction talking about the process of creating art, and what a quintessentially human experience it is (Asimov had a lot to say on the subject, too). However, I find myself thinking of this example from a very silly dark space opera series about big manly men having violent punch-ups, because this one snapshot encapsulates so much about the fundamental misunderstanding so many people have about creating art. Any art.

People who are defending AI, who get super stoked about being able to push a button and have it make things for them, are Fulgrim. They have the ability to effortlessly create an output, that even if it is technically perfect (generative AI isn't, but we'll set that aside for now) it is empty, soulless, and the eye just slides right off of it. He is so fixated on why his flawless sculpture has less regard, and less beauty, than the flawed creation made by someone who lacks his enhanced gifts, and his unusual abilities. How is this art made by a mere mortal better than his?

And we can have the whole debate about using words like soul to describe a piece of art, or arguing over whether something digitally painted is less "real" than something made in a physical medium... but that gets into higher, philosophical hair splitting. However, generative AI creates an uncanny valley effect. Even if it gets the hands right, and even if it gets the proper number of teeth, just looking at it we feel there is something off about it. It feels like an imitation of something in a way that triggers our brains that it isn't safe, and it isn't right. It's off-putting, and once you recognize it for what it is, it's ugly in a way that no crayon drawing can match, because at least those were made with genuine effort.

Don't worry, this applies to text-heads, too.

Everything I said above about sculptures and images? It applies to books, too.

Because even if you get lucky, and an AI manages to write a story that doesn't have massive grammatical errors, constantly forgets who the cast of characters is, and has plot twists that spiral in on themselves in a way that makes no sense, it feels off to read. Reading something written by generative AI feels like hearing something in the Apalachian wilderness call out in a voice that sounds human, but which clearly isn't. You don't know if it's the intonation, the accent, or just that no living person speaks like that, but you know it isn't right... and it creates that same uncanny feeling.

Roll Up Your Sleeves, And Get Stuck In!


Art is about doing. Yes, at the end of the day, the output is going to matter if you want to be able to sell your art and make a living as a creator. But it takes years to hone your skills, and to be able to make art with your own mind, your own hands, and your own skills. Whether you're writing, drawing, making videos, or sculpting, that end result is not the end-all-be-all. It is the result of your journey, and the experience you had getting there. It is the result of your process.

You cannot skip the process just because you don't want to do the hard work, and then claim this uncanny fey creation is your work. You didn't make it. You just pushed a button, and made a pact with another creature, who did the work for you.

It's sort of like people who download video games that play themselves without any input from you. Or people who just pay to win a game without actually playing, skipping straight to the end scene. Those people didn't have the experience of playing the game, didn't develop the skill necessary to achieve that victory, and as such they didn't actually do anything. The experience, even when it's hard and frustrating, is the goddamn point of it all!

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

The Azukail Games YouTube Channel (where I contribute video content)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel!




Like, Follow, and Come Back Again!


That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!

Sunday, November 23, 2025

Give The Gift Of Books (And Help Authors End The Year On A High Note)

Well, it's that time again. We're prepping turkeys, eyeing Christmas shopping lists, and plotting how we're going to survive the rest of the year with our combined sanity and waistlines intact. And that means it's also time for me to take a moment to gently remind folks that authors are trying to close out the year in the black rather than the red.

So if you've got folks on your list who like books (or that you just wish read a little more than they do), I have a couple of recommendations for you this year! So please take a moment to go down the list, and see if there's something for the special someones you're hoping to get memorable gifts for.

Or if you're making a list of books to get with your incoming gift cards. That is also acceptable!

Help us help you!

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

Shout Outs For Authors I'd Recommend This Holiday Season!


All right, first and foremost, I want folks to buy my books. So whether you want to get a copy of Old Soldiers for someone who's a fan of dystopian sci fi thrillers featuring alien/human hybrid shock troops, or you want to check out the Hardboiled Cat series where Leo sticks his whiskers into the darker doings of New York City in Marked Territory or Painted Cats, I would absolutely recommend you give those books to as many folks on your list as possible!


There's even a great audio preview for that first title, courtesy of Altered State Adventures, which you should check out over on YouTube!

With that said, though, I know there are regular readers here who have already read all of my work. You may even have gotten copies of my RPG Army Men: A Game of Tactical Plastic, and subscribed to the Azukail Games YouTube channel where I regularly share free audio drama fiction. But if you've already gone through my catalog (or it's just not quite right for the people on your list), I would recommend checking out the following authors for your gift-giving needs!

Author #1: Alice Liddell


Does this not tell you everything you need to know?

Alice Liddell, also known as Lauren Masterson, is a talented author who has made her mark in a number of different genres. If you have anyone on your list who loves period dramas and gothic romances with vampires, get a copy of Succumb To Darkness. If you have someone who loves Japanese history, handmade art, and a well-researched story, consider checking out Geisha Hands instead! Fantastical mermaid romance? Yep, you can find that in her book Love of The Sea.

It's actually easier to check out her author pages Lauren Masterson and Little Alice than it is to list all her titles here. And just as an additional plug, if you are interested in learning the ins and outs of being an author, or if you enjoy cozy gaming streams, check out her YouTube channels Alice The Author and KHR Arts respectively. She can absolutely use all the subscribers (and views) you can give, if you want to make her holiday season that much better!

Author #2: Clinton Boomer


If you haven't checked this out, I'd highly recommend it!

Most folks who are familiar with Clinton Boomer's work know him as a TTRPG writer. He's contributed to the Pathfinder setting of Golarion, and he's published a lot of World of Darkness supplements (including 100 of the NPCs in the 200 Black Spiral Dancer Kinfolk supplement I wrote with him for Werewolf: The Apocalypse). However, in addition to all the gaming content he's put out, he also has a handful of other books I'd recommend folks check out!

The most popular are Team Murder Hobo: Assemble, and its sequel Team Murder Hobo: Flaming Love Icosohedron, which are essentially collections of hilarious moments between various members of an adventuring party. If you read between the lines you can find some kind of emerging plot, but mostly the books are just there for the lulz, and they make solid gifts for any fantasy or D&D lover in your life. For those who want something a little more serious, though, I'd recommend checking out his modern fantasy novel The Hole Behind Midnight. A tale of murder, detective work, and the things that happen in that nowhere-time just after the end of one day and the start of another, it's a compelling read! You can find these books, and more, on Clinton Boomer's author page.

Who Would You Recommend?


Full disclosure, I generally try to use this space to big up folks in my community whose work I think deserves a wider audience. But since Alice is my partner, and Clinton a friend of mine, I can see how this might seem a bit biased to readers out there. So let me ask you, who would you recommend for a holiday shout out? If you have an indie author whose work you think should be seen by folks, tell us about them in the comments below! What do they write, why are they good, and where can we find their books?

Let's get as many folks as we can into the hands of fresh readers!

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

The Azukail Games YouTube Channel (where I contribute video content)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel, as well as my Rumble channel listed above!




Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list.

Wednesday, November 12, 2025

Don't Neglect Your Subplots (They Really Do Add Spice To Your Story)

Subplots are one of those things a lot of writers love to try their hands at, but not all writers are good at them. They're sort of like getting perfect icing on a cupcake; it's amazing when you get it just right, but if you mess it up then it's going to be really obvious.

Now, if you're going to include subplots in your story, I'd recommend keeping some of the following advice in mind... as well as avoiding some of the bigger mistakes that can ruin your special addition to the overarching plot!

Because it's very easy to scare your subplots, and they fall flatter than a soufflé when that happens.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

What Is A Subplot?


Subplots, or B Plots, are secondary storylines that are going on during the main story you're telling. For example, in Lord of The Rings, the main plot is Frodo's quest to take the ring to Mount Doom and destroy it. The major B plots are Aragorn's struggles to stop the rampaging armies of evil, and Mary and Pippin going off on their own, separate adventures. The reason these subplots work so well is that they all affect the main storyline in some way, they mirror the overall themes of the story, and they weave together neatly in the end.

Those are the things you want out of a subplot. It doesn't necessarily have to be a long-running, immersive thing that takes up a great deal of page space, but it needs to act as part of the ongoing narrative in some way, shape or form, and the subplot needs to be resolved the same way the main plot does (though not necessarily at the same time).

For folks who need another example of a subplot, one of my favorites that I've written is in my book Painted Cats. The main plot is that our Maine Coon bruiser Leo has been asked to find a missing cat named Mischief... but the subplot is that her kitten Trouble has sort of landed on Leo's doorstep. So while he is trying to find what happened to Mischief, Leo also has to help teach Trouble how to be a cat... particularly when it comes to fighting in New York back alleys. This subplot weaves back into the narrative when what Leo teaches Trouble helps him defend himself, and leads to a domino falling in the main plot. And, in the event I write more novels, this minor subplot is going to shape Trouble as a character, helping him grow into a protagonist in his own right, and possibly headlining his own series.

Seriously, grab a copy of this book if you haven't!

However, those are two examples of subplots that do work... what does it look like when a subplot doesn't work? Well, I'm glad you asked, because this reaches back to the early days of my career when I was editing for a small romance company. The company, author, and book shall not be named.

With that said, the main plot was that our protagonist was an Arabian noblewoman in a previous life, and her lover had been cursed into a piece of jewelry. A thousand years later the modern reincarnation of this woman finds the ring, and frees her lover from his metallic prison. The two of them must then confront the immortal sorcerer who laid this curse upon them in the first place, destroying him once and for all!

That's the A Plot of the book. The B Plot... well, it's about our protagonist's bestie.

So, from page 2 of this novel, we know that our protagonist's bestie is on the outs with her man. He seems to have cheated on her with a waitress, and now they're broken up. Her whole plot is trying to move on, and to find a new man. Her ex shows up 3 times throughout the book, and every time he does he is belligerent, unhelpful, and a general asshole all around. He never does anything to help out with the A Plot, nor does he do anything to contradict the view we've been given of him. There's never a scene where he shows up in his car to pick up the protagonist when she needed something, or an explanation that no, he didn't sleep with that waitress, but our protagonist's friend just won't believe him, and he's trying to prove that he didn't do anything wrong.

And at the end of the novel, said bestie and her ex are now together again... and this is supposed to be seen as a positive resolution even though he's still a massive dickhead who has been nothing but unkind to everyone around him, and did apparently cheat on his girlfriend who just took him back. No lesson was learned, no actual plot was affected, and it's a real sour note on what is an otherwise happy ending to the story.

The whole subplot was, in other words, pointless. The ex could have been removed from every scene he was in, and just never been mentioned, and nothing would have changed except the book became less unbearable to read. His ex taking him back means that she didn't learn anything, and neither of them grew or changed... and given the fact that said best friend just witnessed literal magic, a man reborn from over a thousand years ago after breaking an ancient curse, and the knowledge that our protagonist tried to find her lost love in every one of her dozens of lifetimes, the proper plot resolution should have been for the bestie to kick her ex to the curb, take back her power, and make it known that she won't accept anything less than this kind of love in her life.

And then maybe she meets a sweet, young EMT who comes to the scene of the sorcerer fight or something. The point is, though, that this is an example of a subplot that wasn't fun, wasn't a story in its own right, and added nothing to the book... which are precisely the sorts of subplots you need to trim off of your manuscript before you send it to your editors.

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

The Azukail Games YouTube Channel (where I contribute video content)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel!




Like, Follow, and Come Back Again!


That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!

Thursday, November 6, 2025

Asking For Support Is Not "Begging For Money"

There is, apparently, a lot of confusion among folks on the Internet about how artists get paid. For some reason a lot of people out there seem to believe that once a creator makes something that it is submitted to the council of Art Warlocks who vote on whether the creator of this work will be given the standard Rich and Famous contract, or if they are to be turned away and told to try again.

Unfortunately, that isn't how it works. So I wanted to take a moment to explain to folks out there how it is artists actually make their money, and how important our audience is in making sure we actually have the ability to pay our bills.

For folks who wondered, we can't do this without Viewers Like You.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

Where Does The Money Come From?


Allow me to pull back the curtain, and show you how it is authors get paid.

So, if you write books then you have to first write the manuscript. You then have to get it published either by a traditional publisher, or through a self-publishing platform. Traditional publishers do layout, art, etc., and give you a royalty for every sale, while self-published authors have to do all of that stuff themselves, but they get to keep a bigger percentage of every sale.

And if you're writing blogs or articles (or making videos), then you tend to have an option for traffic-based payments, as well as crowdfunding. For the former, consider the article If 90,000 People Read This Article I Can Pay My Bills This Month. It points out that 90,000 reads is what an article on Vocal.media needs to acquire in order to yield about $540 in payout to the author. And if someone wanted to support this blog, then you could go to The Literary Mercenary's Patreon page in order to kick in a fee for every article I write in order to help me keep the train rolling.

It's all about numbers, baby.

However, the point of all of this is to say that authors do not get paid for making things... we get paid either by our audience buying things, or our audience giving us their time and attention on a platform which then gives us a fee for how much traffic we brought to their site. We could spend 20 hours a day putting words on the page, but if no one buys copies, or reads them on hosting platforms that actually pay the creator, then there's not going to be any money to be had.

This is why we ask our audience to support us. Because just like PBS says, "This program is made possible by viewers like you."

And there are a LOT of people our there who get vitriolically angry when you point this out to them.

We Literally Need Your Help To Do What We Do


I have lost count of the number of people who have left snide comments, telling me that if I need to "beg for money" then maybe I should give up and "get a real job" as they put it. However, the point that I feel needs to be driven home to so many people is that ALL creators are literally paid by the audience in one way, shape, form, or another. It doesn't matter if it's one of the biggest touring musicians in the mainstream, or somebody with a small YouTube audience talking about gardening. Whether it's you watching our videos so that we get a cut of the ad revenue from YouTube, you buying our merch so we get a piece of that sale, or you just directly handing us money as a tip for what we do, YOU are required for us to make money.

Period. End of story. And for folks who need the details spelled out, I made a video on it a while back.



Now, if you made it this far, I need you to read this next part very carefully.

You are not obligated to support artists whose work you don't like. Even if you do like a an artist, you aren't required to give them money. However, at the end of the day, you are what decides whether or not an artist gets paid. So if you want a particular creator to keep making things, it sort of behooves you to put in the effort to big up their signal, and make sure they're getting money in their hand one way or the other. Sort of like how if you want to see sequels to a movie, it's important for you to go see it in theaters, bring your friends, buy it when it's available to own, and so on, to send a message to the studio that there's an audience who wants more of this.

And it's something you need to work into your everyday. If you like a video, leave a comment of 7+ words, and give it an upvote. Get used to subscribing and following to people who you want to do well. Leave people tips, and buy some merch when you can. Being an active participant is worth so much to creators, and it is unfortunately so rare to find in an audience.

If you need a list, then just take the one at the end of this article, and apply it to all the creators our there that you want to see pay their bills, and keep making more art. Because it is a lot easier to keep doing this job if you have your utilities covered, and food in your cabinets. Just saying.

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

The Azukail Games YouTube Channel (where I contribute video content)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel, as well as my Rumble channel listed above!




Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list.