And while other stuff has been a higher priority for me of late, I wanted to make an announcement this week... because my publisher got my books some fresh covers and I feel they really capture the feeling of what these books are actually supposed to feel like!
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Seriously... LOOK at this art! |
Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!
Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!
A Fresh Journey To The Mean Streets of Leo's Books
Generally speaking the idea of gritty, gangland noir mysteries starring a big bruiser of a tomcat, and with all of the traditional character archetypes being replaced by other street beasts (the local ganglord is a huge, bloated rat, Leo's best friend Doc is a former pit fighting dog who got adopted out, the powerless client with no one left to turn to is a literal church mouse, and so on, and so forth) is a concept that's novel enough to get folks interested. I've had a lot of ways to describe it, ranging from the love child of The Maltese Falcon and Watership Down, to a far more hardcore story that might have been going on in a reimagined version of An American Tail, but the idea has always been the juxtaposition of a book series where we have all the noir beats, style, and feeling, but all of our characters are animals.
At the same time all the humans in NYC are referred to the way animals normally get talked about in mystery stories. They're present, but generally not an important part of the unfolding narrative.
Now, I have half a dozen other books I'd love to write for Leo, but I just haven't had the time to dedicate to them. However, seeing the new covers that came out does make me really wish I could start laying the foundation for some of these books.
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Again, LOOK at how this turned out! |
The reason I stopped working on novels in general was that it's just so damn hard to get people to buy them, or read them. They can take a year or more to create, and if there's no demand/earnings, I have to focus on other projects. I will be honest, though, part of the reason I feel like it was hard to make sales was the old covers just did not hit.
But while art is subjective, something that always bothered me was the covers showed the wrong kind of cat. Leo is a hefty Maine Coon, and his bottle brush tail and thick coat are mentioned repeatedly throughout the story (along with his size, as Leo is somewhere between 24 and 26 pounds on average). The original covers, though, showed a tabby who appeared to be relatively average size... and while you can't judge a book by its cover, that image is often what we have in our heads regardless of what the text tells us.
So, yeah... if you haven't picked up the books with their shiny fresh covers yet, consider doing so! And if you want to get more of Leo's stories then tell your family, tell your friends, and leave reviews to spread the word. Because if I get my royalty report at the end of the year, and I find out that each book sold a few thousand copies, you can guess what I'm suddenly going to find time and energy to start working on!
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That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
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