Showing posts with label A Vox in The Void. Show all posts
Showing posts with label A Vox in The Void. Show all posts

Saturday, March 7, 2026

Can YouTube and Podcast Adaptations Expand Your Writing's Audience? (Results: Hazy)

I've talked about this several times on this blog before, but one of the signs of someone who is new to the professional field is the idea that their only job is to write. Whether it's short stories, novels, novellas, etc., the idea is that they're the writer, so they put the words on the page, and once they seal it with the mystical incantation The End, their part is done.

Regular readers know that isn't the way the game is played, though. Authors who want to make a living doing this are constantly trying to find new ways to reach their target audience, new places to meet readers who haven't come across them before, and to figure out how to get eyes on their stories. The story will suck them in, but the reader needs to know your book exists in the first place if they're going to read it!

And one option that some of us have used is to make use of the audiences for YouTube stories, as well as for fiction podcasts. And while this indeed can work, there is an extra large asterisk at the end of that statement.

Because it will probably help you... but don't expect to become an overnight bestseller this way.

The "can" is doing a lot of heavy lifting here.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

You Can Find An Audience (But There Isn't Always Overlap)


Before we begin, I want to add some clarity in case anyone skipped ahead. I'm not talking about being interviewed on a YouTube channel or a podcast. That is absolutely a step worth taking, and I highly recommend folks do it if they get an opportunity (also, shout out to the YouTube channel Joy on Paper Live! for folks who want to subscribe to a channel where authors big and small talk about their work with PatZi).

As the title suggests, we're talking about adaptations of your work, and whether that will lead to increased numbers of readers and sales on your end of things. And while I wish the answer was a simple yes, sadly, it isn't.

Consideration #1: Size of The Platform, Audience, and View Count


I listed this one first because it really is the biggest consideration. After all, if your work is being adapted by a place like Chilling Tales For Dark Nights or the Pseudopod podcast (wanted to give a shout out to both of them for the work they do) those command hundreds of thousands of listeners, reaching upwards of half a million people. And yes, in theory, that could put your story (and perhaps even more importantly your name) in front of a lot of potential readers!

However, I want to pump the brakes, because platform size alone doesn't guarantee more readers... even if a lot of people listened to your story, and even seem to like it.


For a personal example of what I'm talking about, consider this adaptation of my short story The Final Lamentation, which appeared over on the YouTube channel A Vox in The Void (which I also recommend folks subscribe to, as he does great work).

Some numbers. The channel has roughly 115k subscribers and change, making it a relatively sizable YouTube presence for the dark sci fi niche. The video adaptation has nearly 250,000 views at time of writing, over 8K upvotes, and almost 600 comments from viewers. So, by all metrics, those are some pretty sizable numbers to contend with, and it sounds great, right?

None of those numbers slid back my way, though. The short story in question didn't get a single view (not even from people who wanted to check the original text to see how something was spelled, or to follow along as they listened). During the time this came out I saw no increased traffic on any of my other work, no increases in book sales (even books like my novel Old Soldiers which fits right into the same niche), and no one came poking around my social media pages even though my name is clearly listed in the introduction and in the credits as the author.

With all of that said, though, I didn't get nothing out of this exchange. The popularity of this story did lead to increased name recognition for me, and there were several other creators who reached out to me because of this story. So keep in mind that even in situations where an adaptation doesn't lead to people reading more of your work or buying your books, it can still open doors and present opportunities.

Still, it should be stated that even when the numbers are good for an adaptation's audience, that probably won't sell you a lot of books.

Consideration #2: This is The Audience's Preferred Format


Generally speaking the purpose of an audio adaptation is to hook listeners in with a tale, and then try to lead them to the rest of your archive. However, if you're finding folks who like listening to audio stories on YouTube, or who take in their fiction on podcasts, those might not be people who are interested in buying physical (or even digital) books. Because while some people might enjoy mixing up their mediums, you are also likely to find folks who are audio-only readers.

Perhaps that's because they're a trucker or delivery driver who enjoys hearing stories on their routes, or they listen to their stories while they're in the gym or doing chores and their hands are full. Perhaps a member of your audience has a reading disability, or they have a sight impairment. They might just like audio stories more than holding a book and running their eyes over the page.

And in those cases, no matter how much they liked the adaptation, they aren't going to go and buy a physical book... which is why it's a good idea to make sure you have a back up plan.


As an example, consider the recent episode of The A.L.I.C.E. Files, which features my short story Dead Man's Bluff out of my collection The Rejects. On the one hand, yes, the audio adaptation is here in the hopes that folks will hear it, enjoy it, and that they'll buy a copy of the anthology. However, there isn't an audio book of those short stories that's currently available, nor do any of my existing novels have audio books attached to them. So it's entirely possible that folks who see the episode will just enjoy that one-off, and wander away.

Of course, if you're willing to dramatize your own work (as I did in this video), it has the potential to open up a secondary income stream for you beyond just acting as a hook to find readers for your physical books. Because if you can get viewers to like, subscribe, and keep tuning in then even if they don't buy your books (whatever format they're in), you can still get paid for their eyes and ears when they watch and listen. However, if you're planning on letting other folks adapt your work, consider making sure you have some audio books on-hand to be sure that folks who want to keep listening find something to listen to when they search your name.

Also, while we're here, consider listening and subscribing to The A.L.I.C.E. Files over on YouTube. The channel is fairly new, and every click helps!

It Might Help, But "Might" Is Doing Some Heavy Lifting


Nothing is certain when it comes to being a creative professional. However, you also miss 100% of the shots you don't take. At the end of the day, my recommendation to folks who are considering audio adaptations of their work is that if it isn't going to be a huge cost to you, then you should consider it. Before you invest any time, energy, or money into an adaptation, though, do so with the idea that it is not going to put money back in your pockets.

That way any sales, readers, or earnings are going to be a pleasant surprise!

However, as with any other promotional strategy for your work, it's important to remember that adaptations (and audio in general) follows the same rule as writing; it's a marathon, not a sprint. Just like how writing one novel isn't likely to catapult you to bestseller status, so making one audio book, or one adaptation, probably isn't going to make you a global phenomenon. But if you can keep putting out quality stories time after time, then people are going to start to notice you.

You need to be in it for the long haul. Keep that in mind before you get started.

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

- The Azukail Games YouTube Channel (where I contribute video content)
- The A.L.I.C.E. Files (where many dramatized versions of my stories can be heard for free)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel above!




Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list.

Wednesday, February 11, 2026

The A.L.I.C.E. Files Is Launching Soon (A Sci Fi Reimagining of Alice in Wonderland on YouTube)

It was just another day at the office... or at least she'd thought it was, until she got that mysterious note at her desk. She probably should have just ignored it. Or better yet, called HR and reported it. It was probably just a prank anyway, and at the very best she was wasting her time. Still, there was something about it she just couldn't shake. A curiosity she just had to follow.

What she finds waiting for her sounds like something out of a dream. Hidden doors, mysterious voices, a subterranean warren of secrets... and an offer of a position, if she had the courage to accept it.

This is the premise for the new narrative YouTube channel that I'm launching with Alice Liddell called The A.L.I.C.E. Files... and if you haven't subscribed yet, I'd like to take a moment to ask you to do so. If you're still on the fence, though, keep reading, because there's more where this came from!

Seriously, though... every subscriber makes a big difference at this point!

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

What Are You Going To See On This Channel?


As a small spoiler for folks who aren't all-in on the project just yet, our protagonist finds herself joining the mysterious Carroll Institute as a Witness Cataloger. The organization has discovered ways to access parallel dimensions, and her job is to witness the reports submitted by agents who have gone through the Rabbit Hole, and found themselves Somewhere Else.

In material terms, that means that viewers are going to get a couple of different kinds of content right off the jump. The first few episodes (which are already done and ready to go up on schedule) are going to give you the backstory of "Alice" and how she joins the Institute. There will also be other meta-episodes that expand on the story of the Institute, its doings, and those who can be found caught in the tangled web it's woven. But as Alice begins viewing and cataloging reports, viewers will get separate audio dramas that take place in a variety of other settings. Some of these will be short stories by yours truly, and will be taken from previously published books like my collection The Rejects. Others may be public domain works, such as the original Alice in Wonderland (read in chapters), as well as works by Lovecraft and other authors.

My hope is that this format will provide an ongoing story for the Institute that develops a little more with every video that goes out, but viewers will also get to explore various settings and works by different authors, brought to life from one week to another.

And while this is pretty bold, as far as concepts go, we aren't going to be able to make it go without your help.

What We Need From You (As An Audience Member)


This is a brand new channel, and the trailer episode doesn't even debut until the 17th. As such, I don't want to overpromise what we can deliver. However, with that said, we have material for at least the first 10 or so episodes, and it's possible we'll get between 15 and 20 videos in before we really start sweating and hitting crunch time.

With that said, if this looks like the sort of project you want to get behind, then we definitely need your help. Because, as I've said before on this very blog, YouTube requires a channel to have 1,000 subscribers, and 4,000 hours of watch time in a single year before that channel gets monetized. Now, this isn't impossible, but it is very definitely going to be a serious uphill battle.

So if you want to help, take a few minutes out of your day today to do the following:

- Subscribe to The A.L.I.C.E. Files, and hit the bell to make sure you never miss our updates.
- Follow The A.L.I.C.E. Files on Facebook and Instagram to get all our announcements and content.
- Watch our videos when they start releasing, and share them on your own social media pages
- Leave comments of 7 words or more on our videos, and upvote the ones you like to please the algorithm!

If we can get at least 1,000 people to do those things over the next few months, well, we'll have our monetization on lock from YouTube, and once that happens we'll be able to expand to do even more (and more ambitious) things! At the moment we've got plans for expanding our cast, for providing merch for upcoming plotlines, and even for convention appearances... but all of that is going to depend on you all!

Right now we're only asking for folks to do free things that will help us get established. So please, if you've got a few minutes, consider helping us reach some early milestones!

Some Other Channels You Should Also Check Out


While the A.L.I.C.E. Files is still 6 days away from our debut video, I do want to suggest some other channels I and Alice Liddell have done work on before so you can get a good idea of the kinds of things we've done, and whether you think our new endeavor is going to be up your alley. I highly recommend subscribing to the following channels, as well, as there's plenty of content to go around!

#1: Azukail Games


Azukail Games is a location that's hosted a lot of my work, and there are dozens upon dozens of audio dramas of mine over there. While many of them are stand-alone tales, others are small series of vignettes that make up larger, interconnected stories. Anyway, I highly recommend checking it out and giving it a listen!

#2: Alice The Author


Alice The Author is Alice Liddell's channel where she talks about being an author, shares behind-the-scenes information about the profession, and of course where she does readings of her own work! Scroll through her channel, and if you really like some of her stories (or even her novels) we may be able to do an episode or two about them on The A.L.I.C.E. Files!

#3: A Vox in The Void


Whether you're a fan of dark scifi, dark fantasy, or just gripping fiction, A Vox in The Void is a channel you shouldn't miss. I've penned several stories for the channel over the years (including the one linked above, which also feature's Alice's voice), and I highly recommend folks go through the archive!

#4: Altered State Adventures


Another channel full of dark fiction and shadowy scifi, Altered State Adventures has featured fiction from myself, and voice work from Alice (in particular the story linked above). I highly recommend going through their backlog, and help them get just a little bit bigger this year!

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

- The Azukail Games YouTube Channel (where I contribute video content)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel!




Like, Follow, and Come Back Again!


That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list. 

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on Facebook, Tumblr, Twitter, and now on Pinterest as well!

Sunday, September 17, 2023

Perfect is The Enemy of Done (Particularly For Authors)

One of the major struggles that most writers I've met over the years deal with is the reality that their work will be flawed. Whether it's plot holes, or character edits, or just realizing that only half of your thoughts made it onto the page during your rough draft, staring out at the full scope of what it takes to execute even a short story (to say nothing of novels) can be paralyzing.

One response to this paralysis, though, is to focus so much on tinkering and polishing while focusing on story minutiae that very little forward motion is actually achieved. Because if what you put down isn't perfect, then it's not time to move on to the next section yet.

That is often a trap, though.

There's stages to this... which is unavoidable.

Before we get into it this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! To be sure you're following all of my followables, check out my LinkTree!

Lastly, make sure you check out my Vocal archive for several hundred other articles about geek ephemera, weird history, writing, and more!

You Can Be Perfect, But You'll Never Finish


This is something I've struggled with, myself, and it really came home to me with a recent piece I was working on.

As regular readers know, I've done a lot of work with the YouTube channel A Vox in The Void over the past few years. So when the channel reached out to me, and asked if I wanted to work on a Weird War 2 story set in the Pacific theater, I was more than happy to get to work on that project. Over the past month, this led to me penning the story Where The Red Flowers Bloom, a tale about a Japanese outpost beset by something that they've awakened on a tiny island in the Philippines where they weren't supposed to see any kind of action.

And while I'm proud of this story, I can't lie... it was an absolute mess to get through!

Fortunately, this is something I'm used to by now.

Part of the challenge of this story was that I didn't know as much about the Pacific theater of the second World War as I would like. So there was a lot of stopping and starting as I checked common surnames around the time period, ranks in the army, the types of equipment troops were assigned, and so on, and so forth. In addition to that, though, the story is purposefully written without dialogue to facilitate turning it into an audio drama. Lastly, I was trying to keep the story within a relatively tight 4,000 words or so.

And I will be the first to admit, that first draft came out hard, slow, and it needed more than a little bit of polishing once I had it done.

However, something that I want to remind folks of is that forward momentum counts for a lot when it comes to making your story into a reality. Not only that, but if you spend all of your time sweating the details when you're in the thick of the writing, that's when you will often squander your energy by doing a hundred little things instead of putting words on the page. Everything I mentioned, from checking the type of sidearm given to Japanese soldiers during the war, to what a common surname would have been, to reading about the mystery cults of war gods found in some isolated cultures in the region, all of those details were very important to the overall story... but none of those details needed to be present in the moment while I was writing that first draft.

For example, our protagonist's name is Tanaka. I could have just had him listed as 'Steve' and then changed it in post until I finished the first draft and settled on the perfect name. The vehicle used in the early part of the story is a Kurogane Type-95 scout vehicle, but I could have just called it a Jeep for the first draft, and changed it afterward. All of these details are important to the accuracy of the story, and getting the period and feeling right... but sometimes attempting to do research while you're writing leads to death-by-a-thousand-cuts... particularly if you're the sort of writer who (like most of us) will vanish down a research rabbit hole at the first opportunity. Because by the time you clamber out of that hole, all your energy is gone, and you've forgotten where you were in the narrative.

While we should always check and double-check our facts, read over our work, and take all the steps to produce the best project we can, it's important to keep what I said in As a Creator, Learn to Trust The Process in the forefront of your mind. Namely that this is a process, and there's more than one step to it. Get used to allowing yourself not to be perfect during that first draft, because you can always take a bad first draft and improve it. What you can't do, though, is take a non-existent draft, and claim it will be perfect.

It takes practice to do this, but it's a skill worth mastering. Because the first draft is just for getting the story down on paper, where you can mold and shape it. Remember that, and act accordingly.

Support The Literary Mercenary


For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

- The Azukail Games YouTube Channel (where I contribute video content)
- My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Like, Follow, and Come Back Again!


That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list. 

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on Facebook, Tumblr, Twitter, and now on Pinterest as well!

Friday, March 3, 2023

Don't Make The Mistake of Equating Popularity With Quality

Before we get into the meat of this week's update, I want to be clear that this is not about bashing popular fiction, or declaring that just because something has a diehard following that it's inherently of lesser quality. People are free to like what they like, and to enjoy what they enjoy, as long as they aren't hurting anyone. However, as authors we often equate earnings and popularity with our worth and skill as creators... and I think it's important to regularly remind ourselves that just isn't the case.

Your books mean nothing, I've seen what you cheer.

As usual, before we get into it this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron!

Lastly, to be sure you're following all of my followables, check out my LinkTree!

Being Skilled and Being Famous Aren't The Same Thing


There is a question almost every author out there has asked themselves at some point in their career, and while it's usually a rhetorical question, it's one that I feel we should look at, and try to answer.

"Why is that author being paid hundreds of thousands of dollars, and being read by millions of fans, but I'm not?"

Because there are all kinds of answers to this question.

A lot of authors will ask themselves this, and begin to fill in the blanks with their own perceived failings. Their story isn't good enough, their writing is flawed, their characters are derivative, and so on, and so forth.

And while that might be true, it's important to remember that it isn't necessarily the reason. After all, there are a lot of hacky stories, cliched characters, and predictable prose that's made its way onto the bestseller list over the years. And even if your writing isn't perfect, that doesn't mean it isn't entertaining, and that it doesn't speak to the hearts of your readers. No, what is more likely is that you haven't found your audience. The problem is that there's only so much you can do about that, and the deck is stacked against you.

Let me give you an example.


This is an audio adaptation of my short story Field Test from the YouTube channel A Vox in The Void. The story itself has just over 200 some odd reads in its original, text form, but if you check the view count on the YouTube channel it has 65,000 listens and counting!

That disparity is a perfect example of what I'm talking about this week.

While I wrote the original text of the story, I have maybe a couple dozen hardcore followers, and at best a hundred or so casual readers beyond that. A Vox in The Void, at time of writing, has over 43,000 subscribers, and it's growing every day. So the channel has a bigger platform, draws a bigger crowd, and presents a format that people can listen to while painting minis, cleaning the house, or doing other tasks that are impossible to do when reading. There's also the matter of that channel's name carrying more weight with the community, and feeling more legitimate to a lot of folks, who despite listening to the story may still have no idea who I am.

And, you know, the presentation is beautiful. That helps, too.

Why didn't I draw 65,000 reads when I first posted the story? Well, I don't have that kind of a fan base. Vocal, as a platform, doesn't draw the kind of audience a popular YouTuber can. The algorithm is more likely to draw eyes to said YouTube channel than it is to bring readers to the text version I posted. There's the name and brand recognition that I lack. The list goes on and on.

So the next time you start getting down on your work and questioning whether you're really good enough to do this, I want you to take a moment and think about all the famous people you've heard stories about that claim they got their big break from someone who opened a door for them. Whether it was Stephen King turning his audience on to the works of Clive Barker just as he was about to fade into obscurity, Dolph Lundgren getting early acting gigs through his association with Grace Jones, or anyone else who has had to seize opportunities as they come, remember, none of us are self-made successes.

Write the best stories you can, and work hard to master your craft. But remember that if you don't have a marketing budget measured in the thousands, a huge audience that means the algorithms automatically promote you, and a name big enough to get you radio, podcast, and talk show spots, people aren't going to psychically know that you wrote an amazing story that they've yet to discover.

I Could Also Use A Little Help (If You Can Spare It)


If you made it this far, and you'd like to help an author who's fighting the algorithm every day, please consider doing the following:

- Subscribe to The Azukail Games YouTube Channel (where I contribute video content)
- Subscribe to My Daily Motion Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're interested in even more free fiction, gaming articles, weird history, and more go give my Vocal archive a browse. It's got 263 entries at time of writing, and each read helps me earn a little bit of cash to pay my bills.

Like, Follow, and Come Back Again!


That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list. 

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on Facebook, Tumblr, Twitter, and now on Pinterest as well!