Thursday, May 2, 2024

After You Buy Them, I Don't Care What You Do With My Books

As authors, we want people to read our books. We want people to enjoy the stories we tell, and we want them to fall in love with the characters we create. We want to see people drive down the roads we've paved, and we want to know that all of the time, energy, and effort that we put into making these worlds is appreciated by other people who come and play in our mental sandboxes.

There is a bizarre hang-up that a lot of people in the profession have, and this is particularly true for those who romanticize the profession of writing. In short, while it's nice if people enjoy our work, don't get so focused on it that it's all you can think about. As long as you're moving copies, that's all that matters at the end of the day.

Seriously... grab a copy. What you do with it is your business!

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

Sales Are The Bottom Line


There's a single panel comic that makes the rounds every time there's angry parents trying to get a book banned, or every time a film gets boycotted because it has too few white men for certain vocal parts of the audience. In this comic there's an author sitting at a table, and a clearly irate person confronting them.

Angry Reader: I hate your book so much I bought a copy and burned it!
Author: Why stop there? Buy 10 copies and burn them, that will show me.

Go on, coward. Do it.

While the obvious statement of the piece is that a lot of people don't actually know how boycotts are supposed to work, the point made from the business perspective is equally important. Because if a bunch of angry consumers bought all of the beer that comes in a rainbow can, the company doesn't see their angery; all the company sees is a big, fat uptick in sales. They don't care if you you drank that beer, poured it down the drain, or launched it out of a catapult and fired bird shot at it while playing God Bless The USA on a loudspeaker... they make the same profit regardless of what you did with your purchase.

This is a mindset that I highly recommend you adopt if you don't want to drive yourself to the point of madness as an author.

Do I want people to read my Hardboiled Cat novels Marked Territory and Painted Cats? I absolutely do! Do I want gamers out there to pick up copies of my recently-released tabletop RPG Army Men: A Game of Tactical Plastic, and the supplemental releases like Army Men: Threat Assessments? Yes, obviously! And I want that because I spent a lot of time, energy, and effort on these things (as well as on all the other novels, games, etc. that I'm not linking here) and I want people to genuinely enjoy them.

But let's say that people buy copies of the things I make, and then they don't get around to actually using them. Maybe they buy a copy of my novels at a convention, but they're pressed for time, and so my books sit on their to-read shelf. Maybe they buy a game I made, and even if they read it, they never find a group to actually play it with. Or maybe they just put it on their shelf of games they think were neat, but they just don't have time for.

We all have one bookshelf of shame. Don't lie.

Is that disappointing in a personal sense? A little bit, sure. But at the end of the day, those people paid their money for the thing I made. What they do with it (or don't do with it) is their business. And while I would like reviews on my books (as that always get the algorithm paying attention to you), and I would love active participants in my work, I'll take people who show up, buy the new thing, and then put it in the, "I'll get around to it," pile over people who don't do that.

Because at the end of the day, what books get sequels and supplements are driven by sales figures. Whether or not I can pay my bills, get a celebratory pizza, or even afford to keep doing convention appearances, is driven by sales. And if there are a thousand people who all line up to buy a book when it drops, or to snatch up a supplement of mine, I will say thank you very much, cash the check, and get back to work on the next thing.

I'd like them to read it. It'd like them to enjoy it, and leave a review of it, and tell all their friends and family about it... but if all they do is put cash in my hand and get a copy for their shelves, I will gladly take that.

So whether you need a pulse-pounding thriller, an alley cat mystery, a tactical TTRPG, or you just want to use my books as a fancy paperweight or doorstop, that's up to you. Hell, I'll still sign it for you, if you want!

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel, as well as my Rumble channel listed above!




Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!

Wednesday, April 24, 2024

Regimented Sentences Can Make For A Boring Read

Anyone who's been a weightlifter knows that your form is a critical part of the process. Put another way, it's not just what you're lifting, but also how you're lifting it. Because you need to get the full extension of the lift, you need to go at a slow and steady pace, and you need to make sure you aren't bouncing or swinging, trying to assist your muscles. Your form helps you stay on target, and it makes sure you're putting all the strain exactly where you want it.

What does this have to do with writing? Well, just like with weightlifting, it's often the small changes that can lead to a greater impact in your overall results. Which is why I wanted to talk about regimented sentences, and how we can often fall into a familiar pattern that hampers our writing.

And none of us are immune to this.

Before we get into it this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! To be sure you're following all of my followables, check out my LinkTree!

Lastly, make sure you check out my Vocal archive for several hundred other articles about geek ephemera, weird history, writing, and more!

Your Prose Shouldn't Stand in Regimented Lines


Sentences are the basic building blocks we use to construct our narratives. However, if all your sentences are too similar, they will soon start to blend together. This can lead to writing that feels stilted, samey, and bland. Even if your reader can't quite put their finger on what it is that's bothering them, they're going to know something is wrong.

For an illustrative example of this, check out This Sentence Has 5 Words from Gary Provost.

We don't need to make these things even. That won't make the book better.

Most of us don't actually sit down to write regimented sentences; we just fall into patterns. Myself, I tend to drop into the, "The character does a thing, and then we get additional description, with a bit of purple prose tacked on," format. And I can drop one of those in a paragraph before it starts losing impact. Maybe. Though it's better form to pepper in those heavy punches among a lot of shorter sentences. Sort of like fitting an uppercut or a hook in among a bunch of jabs.

Mixed metaphors aside, it's important to change up the feel of your sentences to make sure you reader doesn't get bored consuming the same thing bite, after bite, after bite. Even though words on the page generally look the same, reading the same cadence over and over puts the brain to sleep. It turns your book into a mantra, and that sucks out the pleasure of reading it... especially if you're trying to convey action, intrigue, tension, romance, or really anything else you want your audience to sit up and pay attention to.

After all, you want your readers hungry for more.

Support The Literary Mercenary


For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, consider checking out my show Tabletop Mercenary if you've ever thought about becoming a TTRPG creator, but you want a glimpse behind the curtain before you just jump into the deep end.




Like, Follow, and Come Back Again!


That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!

Thursday, April 18, 2024

Books, Burnout, and The Power of Encouraging Words

While 2024 has already been a slog, that trend didn't start with the new year. I've honestly been going 10+ hours a day since Fall 2023 trying to stay on top of my deadlines, and to get fresh stuff out there for all my current and future readers to check out, and it has been a huge strain on me as a creator. That's the nature of the game, but those hours take a toll on you, and you have to start making decisions about where your time and attention are going to be spent when you're looking at your bills.

That's the reason I haven't started a new novel yet. I love writing them, but most folks who know me and my work know me as a TTRPG writer, or maybe a short story/audio creator. With funds as tight as they are it's hard to justify pouring another year of work into a book that only folks who see me at conventions will read... but it doesn't take much to get that fire lit one more time.

All I need, apparently, is seeing someone excited about one of my silly cat mysteries, and my brain is off to the races!

A little encouragement goes a LONG way...

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

The Hard Boiled Cat, and A Steampunk Expo


For those who didn't see my updates (as the algorithm is a fickle thing), I spent the past weekend at the Chicago Steampunk Expo. It was my first time at this particular event, and it was a lot of work to figure out the new hotel space, come up with fresh booth set up, and to deal with all the bumps in the road that come with figuring out an event you've never worked before. However, I got it done, and I even managed to sell a couple of books while I was there.

I'd expected to sell copies of my new TTRPG Army Men: A Game of Tactical Plastic, but by the end of the event, I'd only managed to move a single copy... however, I sold all the copies I'd brought of my Hard Boiled Cat novels Marked Territory and Painted Cats. That's not saying much, as I only had a few copies of each, but something happened that I wanted to recount.

Also, get your copy if you haven't yet!

During setup I and Alice Liddell had a lovely boothmate, J.L. Barnes (whom you should definitely check out) who makes lovely artwork of adorable animals having small adventures. And once the two of us got our booths set up and introduced ourselves, she picked up my book, looked it over, and then handed me cash for it. The dealer's hall hadn't even opened to the public yet, and I'd already moved a copy of Leo's debut novel.

And she wasn't the only one. Practically everyone who came to the booth that expressed an interest in books took one look at Leo's novels before they asked for a pitch. Almost everyone who heard the pitch grabbed copies, and I didn't have any more by early afternoon of day two. And for folks who don't vend at cons, that's pretty unusual... most folks who buy books wait till the last day before swooping in and making their final selections, particularly for indie authors.

It wasn't just the sales, though those were very nice. It was the interactions I had with those readers. It was the looks on people's faces when they heard there was a gangland noir series about a Maine Coon heavy who gets mixed up with the raccoon Mafia, who has to make deals with New York subway rats, and who has to protect a kitten whose mama goes missing while teaching him how to be a proper cat.

Real talk, readers, I'd been burnt out as a novelist. With our loss of first Eric Flint, and then his publishing company, and my books spending a year in limbo before they got back onto the market having lost all of their momentum, I was exhausted. A novel generally takes a year of time for me to get down, and with everything arrayed as an uphill battle, I was prepared to just keep writing blogs, TTRPGs, short stories, and audio dramas for the foreseeable future, reserving more novels for a time when either my books grew a large enough audience to justify that kind of work, or I could afford to get back to such a large project.

I didn't realize how burnt out I was until complete strangers told me they thought my book was really fun and creative, then handed me money for it... because apparently that's all it took to light my pilot again!

Chapter One: A Mouse, and My Cheese Burger

Now, I'm not going to immediately break ground on a new novel tonight. I've got too many balls in the air, and too many projects with deadlines to take up yet more space I don't have. However, I wanted to remind folks that if you're tired, and everything feels like a pointless slog, then you're probably way more burnt out than you think. So if you're down on your work, and you feel like you're just shouting into the void, talk to someone who isn't familiar with your stories. Someone who isn't part of your regular audience, and who hasn't heard your pitch before.

You'll likely find their reaction is far more excited, and that can be the fuel you need to get back to the grindstone!

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel, as well as my Rumble channel listed above!




Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!

Wednesday, April 10, 2024

Cut Unnecessary Words, and Tighten Up Your Writing

The words on the page are like the ingredients in a stew; it's all about the balance they create for the overall flavor. While readers might overlook an occasional crunchy bit of dialogue here, or a congealed lump of exposition there, if you end up using a lot of filler then it's going to make it really obvious how much extra stock is in your book when it comes time to finally dig in.

There's a lot of culprits when it comes to any piece of work, whether it's a short story, a novel, or even an audio drama. And while they might be all right individually, much like adverbs, they can sneak up on you, and bloat your word count.

Don't apologize... just cut!

Before we get into it this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! To be sure you're following all of my followables, check out my LinkTree!

Lastly, make sure you check out my Vocal archive for several hundred other articles about geek ephemera, weird history, writing, and more!

The Usual Suspects


During my school days my parents divvied up their responsibilities. My father was primarily my math and science tutor, while my mother checked my English homework. One night it was just my father and I at the dinner table while he went over my letters for the night. He pointed out at least half a dozen times I'd used the word that, and told me to remove them because they wasted space, and added nothing to what I was saying.

At the time I was annoyed at the criticism, mostly because I was a middle schooler, and it was already too late in the evening for me to do anything even if my homework was done. With that said, in the years since then, I've recognized the wisdom in this criticism. This word is one of several on my list of filler words I try to eliminate, but as with the italicized example a sentence ago, remember you aren't trying to eliminate the use of entire words; just learning to recognize when they aren't necessary.

Okay? Okay.

So, who's on the Most Wanted list?

We've already mentioned how that tends to creep into our works, but what other culprits do we have to deal with? Well...

- However- This is one I'm particularly bad about. It takes up a lot of space, and it's a favorite for folks who tend to rely on sentence splices when their thoughts are going a mile a minute.

- Though- However's partner in crime, though is a word that's often used to avoid the need to end one sentence, and begin another one.

- Very- For those who remember Dead Poets Society, this is a word we know to side eye. Getting out of the habit of relying on this word by replacing the need for it (very tired becomes exhausted, very pretty becomes stunning, and so on) is the best way to clear it off the page.

- Actually- This one is perfectly fine in dialogue, but most of the time you can kick it from your sentence if it's outside of quotation marks. It shares this distinction with its more polite cousin quite.

- Really- This word can serve a lot of functions, but your story is often better for cutting it out as many times as you can. As with many of the others, this one can lend authenticity to dialogue, but should be spare outside the words and thoughts of your characters.

That's 7 words on the hit list. It doesn't seem like much, does it? Go through something you've written, though, and start eliminating them. Then compare the word count of the manuscript before and after. If you had a short story, you probably managed to cut out two dozen words or more. If you're looking at a novel? You might have just chopped out several thousand words by the time you got rid of every instance you didn't need.

Support The Literary Mercenary


For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, consider checking out my show Tabletop Mercenary if you've ever thought about becoming a TTRPG creator, but you want a glimpse behind the curtain before you just jump into the deep end.




Like, Follow, and Come Back Again!


That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!