There's a reason this have been on my mind again, of late, for those who are wondering. |
Doing It Poorly...
Giving examples is one of the best ways I've found to make solid points about techniques to use in writing, but I figured we'd get the most out of these examples by starting with the bad ones. And while there are plenty of potential examples out there, the one that bubbles to the surface in my mind is Twilight. I'm not even going to put an affiliate link for that book, that's how negatively I feel about the series, and the imprint it left behind on pop culture.
That's a whole separate blog post. |
There are other vampire movies that do this (most whose names I can't remember, as they were only shown on Saturday afternoons by hosts with specific, spooky schticks), but we also see it in the original Dungeons and Dragons film. While a slapstick romp that's alternatively fun and cringe-worthy, there's a throwaway line in it where our comedy sidekick is trying to put the moves on an elven woman. Her curt response is to just toss her age at him (something absurd, I think it was in the 800s), and then to move on with her scene.
The issue is that in these examples, being told how old these characters are has no bearing on how we perceive them. It isn't reflected in meaningful ways, and there's no weight behind it. It's no different than being told someone is 26 or 40... we can mentally accept the age, but it doesn't affect the characters or the story in any way that re-contextualizes them.
Doing It Well...
From the other end of the spectrum, when a character's longevity is revealed over time, or in meaningful ways, it can be like a punch to the gut to the audience. It can make us feel for them, and at the same time add so much weight to the story, and their interactions in it, that the fact becomes impossible to ignore.
You probably know where this one is going. |
We watch as Eowyn re-evaluates what she knows of Aragorn in that moment, going from playful, to surprised, to horrifically awestruck every time she guesses a higher number. Realizing in a way that is real for her, and thus real for the audience, that Aragorn's blood has made him long-lived, and that he has seen and done things far beyond the scope of a mortal's years.
It's not just the revelation that Aragorn is actually 87 when he looks like a rugged mid-30s, but Eowyn's reaction that drives it home. It casts all the skills he's displayed in a different light, and makes us look at him with a fresh perspective. It makes us realize that, for all his nobility, passion, and strength, that he is in a lot of ways an outsider to other people. That those who were afraid of the man called Strider might have had good reason to feel the way they did after all.
There are other instances of similar reveals really adding a lot to how characters are perceived. Wolverine, for example, played on this for years as we steadily realized he was far older than any living mutant on the heroes' side of things. Sometimes it was subtle, with mentions of certain bits of history that he was present for, or showing us skills he'd learned that he'd never showed off before. Other times it was blatant, with flashbacks in the 60s, World War II, and other eras where Logan looked the same as he always has. And in the Netflix adaptation of the Witcher, we see that Geralt is the stoic, grunting, easily annoyed curmudgeon many of us think our grandparents are... and that the mutations that make him so good at what he does might be responsible for his long life. Possibly feeding into the legends that Witchers have no feelings... because on a long enough timeline, everyone you knew or cared about will die, and you'll be left as their children, and even their grandchildren, grow old all around you.
Give Your Years Some Weight
If you're going to have characters whose age defies their appearance (or if it's something people just can't tell when they look at them in the case of strange or alien characters), don't just write a number on it. Writing a number tells us nothing, and gives us no value; it's just a fact.
Make us feel this character's age in big ways, and small ones. Show us the parts of them that never changed, and the little things that make them unique. Give us a glimpse into their inner lives, and show us a piece of their past that can put who they are and what they're doing into context. It's harder, yes, but you'll get a lot more oomph out of it, and it can make a character into an audience favorite if you do it just right.
Also, for more on this topic I'd suggest checking out the 4 Tips For Making Long-Lived Characters FEEL Old over on my sister blog Improved Initiative!
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That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sword and sorcery novel Crier's Knife!
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