Because if the author can't eat because no one is buying the series, then they aren't going to be able to continue said series, and all the misgivings end up becoming self-fulfilling prophecies.
Something to keep in mind. |
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Authors Can't Do What We Do Without Audience Support
On the one hand, I very much see where readers come from on this issue. Because if you're the sort of person who likes to read series, then you like to really get invested in the story. So if there's only one or two books out, you might not feel like you're really on solid ground just yet. Even if the early entries are good, you don't want to jump in with both feet and get really into this world and these characters only for an author to leave the series on a cliffhanger, or for a publisher to decide future installments aren't worth publishing.
And this could happen all on its own. However, lack of participation practically guarantees the series will die before it really gets a chance to live.
For those who were curious. |
This is the way the process goes. An author decides they want to write a series. They finish the first novel. That novel is published, either traditionally or through a self-publishing platform of some variety. The author is, essentially, giving the audience a sample of the story. They're saying, "This is the story I want to tell. If it's a story you all want to see more of, then I have more to tell you!"
Under ideal circumstances, this first book will get the audience's attention, and enough people will buy copies that the publisher considers it a success, and greenlights the next book in the series. The author will then get to work on the next book, using the earnings from the first one to help pay bills and stay afloat long enough to tell more of the story. This process then rinses and repeats until one of two things happens; the author runs out of story, or the sales peter off to the point that the publisher no longer considers it a valid investment.
The problem with folks who are, "Waiting until it's done to get into it," is that you're actively denying a series and its creator the oxygen they need to actually finish the project in the first place.
As a good example, consider my Hardboiled Cat series linked in the pics above. I've got a dozen more stories I'd love to tell about Leo and the other street beasts of his setting, as well as a whole spinoff series about the kitten Trouble when he grows up to become a streetwise stray in his own right. However, I'm not writing those right now because I literally cannot afford to. I sell a few copies online every quarter, and move a couple more at conventions, but overall these novels can take as much as a year of effort to write, and they just don't move the numbers for me to justify adding to this series, even though I'm very certain my publisher would happily take more books about the rough, brutal lives of this hard-nosed Maine Coon heavy.
However, if these books suddenly moved a couple hundred copies each? Or a couple thousand because someone on BookTok gave me a shoutout, or an influential furry told their fans how much they loved my novels? I would have a fresh notebook out and the plot of book three figured out down to the chapter by end-of-day tomorrow.
Authors Need Support Or We (And Our Projects) Die
I've said it dozens of times before, but audience engagement is literally what decides whether creators live or die, and whether our projects succeed or fail. It's not just novels, either. Everything from YouTube videos, to podcasts, to comic books depends on the audience turning up for installment after installment, giving us your eyes, your ears, and your approval. Whether that comes in the form of purchases, watch/listen hours, or straight up Patreon donations, your engagement directly translates into the money that we use to pay our bills, and keep telling our stories.
And if you don't provide that support until we reach the end... well, that makes it that much more likely we won't be able to afford to reach the end.
Now, that's not to say that you must support every creator out there who is writing a series, or that you owe anyone your purchasing power, your reviews, your engagement, etc. However, if a series has caught your interest, whether it's on Netflix, Spotify, YouTube, or it's good, old-fashioned print books, don't sit on it and wait. Authors and publishers alike judge whether a creative endeavor is worth pursuing further based on the reaction of the public, and the money it's making. So if something looks interesting, but there's only a few installments out, go check them out and see if you like it! If you don't, well, now you don't have to worry about it anymore. But if you do like it, and you do want it to keep going so you can see how things turn out, now you know this is worth putting in your efforts.
Yes, you might end up with a George R.R. Martin scenario where you're waiting for years on end for him to finish the damn series. But you know something? At least you know Martin didn't give up on writing it because it wasn't making money, and since no one seemed interested he moved on to another project, or had to go back to a job doing something else to keep the lights on.
Speaking of Series and Support...
While I'm on the subject of series and audience support, there's a project I proposed about a year ago that I've been trying to get off the ground. It's a dark modern fantasy audio drama series set in the Chronicles of Darkness that I've tentatively titled Windy City Shadows, the first season of which can best be described as fairy tale John Wick set in modern day Chicago.
If that sounds like something you'd be keen to check out, then you can get the details in Windy City Shadows: A Chronicles of Darkness Podcast Proposal, or watch the video I made on the subject a while back!
The short version is that, while the show would be a podcast available on a variety of platforms, one of those platforms will be on the Azukail Games YouTube channel... and before we start in on it, we need to get that channel monetized! So if you want to see this idea come to fruition, help us reach that first goal by subscribing to the channel, as well as watching and sharing our videos so we can get the final 500 and change hours we need for YouTube to agree to share ad revenue with us!
Because once we cross that goal, that's when I can start revving the engine on this bigger, more involved project... and I'd love it if all of you out there could join me!
Support The Literary Mercenary
If you want to see me produce more work, consider some of the following options!
- The Azukail Games YouTube Channel (where I contribute video content)
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And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!
Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel, as well as my Rumble channel listed above!
Like, Follow, and Come Back Again!
That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
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