Showing posts with label earnings. Show all posts
Showing posts with label earnings. Show all posts

Wednesday, May 13, 2026

How Much Content Do You Need To Make A Living?

The Internet is full of seemingly contradictory advice regarding exactly how much stuff you need to write before you'll accumulate an archive large enough to make a living. So whether you're trying for that 20-books-to-easy-street, or you're trying to peg exactly how big your audience has to be in order for you to make a living, I want to take a moment to throw a particularly large bucket of water right in your face.
 
Because the answer is very simple... you have to make as much as it takes.

It is, unfortunately, the answer no one wants to hear.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

No Man Knows The Day (And Only Liars Say They Do)


There's a reference to the end of days in the Bible that tells readers no man knows when that time draws nigh. Anyone who claims they know is either a liar, or a charlatan. This is something all the folks panicking on rapture-tok should have kept in mind, but it's also worth remembering for when it comes to making a living as a writer, artist, or professional creator of any stripe.
 
Because there is no guarantee. Your success could come with your next release, or the one after that, or the one after that. It might not come until you've been rotting in the grave for 20 years, and people rediscover your work. It might never come at all. There's no way to know.
 
Buy from living authors. In case you had doubts for some reason.

Now, as I've said before on this blog, the more swings you take, the more likely you are to be successful. The more books you write, the more videos you make, the more articles you compose, the better and better your chances are of finding an audience. That is not what's in dispute here. What is in dispute, though, are people who claim they have a system, that they can tell you exactly what you need to do to be successful, and that they know exactly how much stuff you need to make in order for you to get paid.
 
And that's a lie for two reasons.
 
The first, and most obvious, is that not every author is going to create the same kind of work. Everyone is writing their own books in their own style, and just because one author managed to finally start cashing checks when they released their 5th, or 10th, or 20th book, that's no guarantee that someone else is going to achieve the same feat.
 
The second reason, though, is that the environment has likely shifted between when one author managed a particular feat, and them giving this advice. The world is constantly changing, and what worked yesterday isn't going to work today, and by tomorrow it will actively harm you. It's the same reason you can't use the same social media strategy today that you would have used 5 years ago, why email newsletters haven't been a viable strategy for a decade, and why you can't just write another book and trust your publisher to handle the rest... the world has moved on since then.

These promises have taken all sorts of forms over the years. When I started off this blog, it was that you needed 400 posts before you had enough regular traffic to generate ad revenue. And guess what? The entire ad structure of the Internet shifted so badly that making money from ads became impossible. I've seen folks swear by the 20 novels formula, saying that if you get 20 books out on the market that will give you enough penetration that you'll build a following. Alice Liddell, who runs the YouTube channel Alice The Author, has over 30 books on the market, and she's scraping by just as hard as I am, if not harder some months. There are people who swear that once you hit 10,000 followers on Instagram it's all easy street from there, or that if you can build your YouTube archive to 100 videos and 5,000 subscribers or more that you'll be able to start coasting.
 
We need to recognize all these promises for what they are... piss in the wind.
 
Just like how crash diets and bro science swear up and down that if you do this cleanse, or adopt that workout routine that you're guaranteed to hit your goals, you should be extremely suspicious of anyone promising that once you release a certain number of projects that you'll be able to kick up your feet and relax.
 
Because as of right now I have half a dozen books on the market. I have over 200 roleplaying game supplements, including the full RPG Army Men: A Game of Tactical Plastic. I've made over a hundred videos for YouTube over the past several years. I've put out over 300 articles in my Vocal.Media archive, and thousands of posts on my two blogs. It's a rather impressive amount of work, in my opinion, but when it comes to coin of the realm, it's all just barely enough to scrape by on rent in government housing. With a roommate.

If You Want Us To Succeed, We Need Your Help


I've said this a dozen times or more before, but it's worth repeating. You, as the creator, cannot force your own success. You can write dozens of books, produce massive series of stories, or put together several long-running podcasts... but if no one watches them, reads them, or buys them, then you won't earn anything for them.

The only thing that gets authors paid is audience effort and interaction. Period. Because if 10,000 people all went out today and bought my cat noir books Marked Territory and Painted Cats, that would give me a bigger payday than I've had in 15 years. I would be able to rest, relax, and slow down for the first time in a decade. And if 25,000 people all decided to go and check out The A.L.I.C.E. Files and watch the episodes we have up so far? That would monetize the channel with a finger snap, and get money rolling in to help with expansions.

 
If people decided to keep buying my books and RPG supplements, and watching my videos even if I stopped making things tomorrow, I would still get paid for that consumption. And if I keep making things at a fever pace until I drop dead, but no one reads it, watches it, or buys copies, then I'm never going to get paid.
 
It doesn't matter how much you make... it matters what people interact with. No audience, no money. But for most of us it's a lot easier to focus on writing X number of books, or making Y number of videos, than it is to actually try to expand our audience. But if you want money, you don't need more books; you need people to read the ones you've already written while you work on the sequels.

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

The Azukail Games YouTube Channel (where I contribute video content)
The A.L.I.C.E. Files (an audio drama channel I launched with Alice Liddell)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel above!




Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list.

Friday, January 2, 2026

Can You Get Paid By Social Media Platforms As A Writer? Probably Not

Social media platforms need engagement in order to stay viable, and to that end a lot of them have created programs that pay creators for the posts they make. This is why so many of the people out there with big audiences make so many posts, and try to draw so much energy from their audiences; because the more attention they get, the bigger the checks they're cut by the platform in question.

It's tough to make a living as an author, but chances are good you're already on social media to find an audience, get the word out about your books, and so on... so is this a viable way for you to earn a little extra money to cover your bills while still writing?

Short answer, no. For the long answer, details are below.

Trust me, I'd be all over this if it was possible.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

All Right, How Do These Programs Work?


On paper, the idea makes sense. A social media platform wants eyes and engagement, so it puts money in the pockets of creators who get people to stay on the platform longer. It makes sense; the creators are, essentially, the reason so many people check in on these platforms where they will be exposed to all the ads on the platform.

So, how did this get botched up? Well, to answer that question, I'll go platform by platform and explain how they have structured their programs.

Please sir... could we have a little more?

Instagram

Instagram has one of the clearest cut lines among these programs. Generally speaking, you need to have at least 10,000 followers (I learned this from Little Alice, and I'd highly recommend folks go check her stuff out if you haven't already since she's being shadow banned) before anything kicks in. Once you get to that level, the site starts tracking what you share, and the amount of attention it gets. And when you start getting large views (we're talking the 100,000 to 1 million range) the site starts compensating you for that. Not much, but generally speaking 1 million views is worth somewhere between a hundred, and a few hundred, dollars.

Not nothing... but hardly the success one would expect for a viral-level post.

Reddit

Reddit is the place where I do a majority of my social media posting because (though it pains me to admit this) it is the site where I get the best return on my efforts. But the site has a program that allows people to make money off the posts... but not really.

So, if you can get into the program (not a guarantee), you are given rewards based on the number of gold other Redditors award your posts. In order to get gold, though, a Redditor has to spend real-world currency... so this is essentially a way for you to earn tips.

The problem with this in my experience is that most creators never get awarded gold. You can make hundreds upon hundreds of posts, get thousands of upvotes, and lead to long comment chains... none of that makes any difference if no one decides to award you gold. I'm approaching a quarter million karma on the site, and my account is 10 years old... I've never once received gold. From anyone. Hell, I've barely received awards, no matter how much attention a post has received.

Depending on other users to tip you is a terrible way to try to make money, especially when they have to spend real-world money to tip you via the site's currency. And doubly so when the translation rate is something like a handful of pennies per gold you're awarded. You'd be better off just telling people where to find you on Ko-Fi or Patreon.

Facebook

Facebook is second verse, same as the first. It has the same fundamental flaw as Reddit, because you can only get tipped for your content by FB users giving you stars, which is the made-up currency on FB you have to spend real money for. But unlike Reddit, where users can put gold on any post you make, FB seems to only allow stars to be used on Reels (at least at time of writing).

While there is talk about allowing advertisers to partner with you as a creator, that's currently a grayed-out option. Everything I can see at present is just another shell game where the platform claims you can make money as a contributor, but then just puts that burden onto other users, many of whom probably don't even know the effect their stars have. And just like Reddit, individual stars are worth pennies.

Just tell people where to find you on Ko-Fi and Patreon.

YouTube

While technically not a social media platform, it keeps cropping up. YouTube requires someone to have 1,000 subscribers to their channel, and 4,000 hours of watched content in the past year to unlock all the payment options. People can leave you tips through the site, pay for exclusive subscriptions, and you get ad revenue shared... but again, you need tens of thousands of views per month to make even a spare $50 or so. Millions of views is required before you can cut even triple-digit checks.

Also, to help me reach some of my own goals on this one, check out the Azukail Games YouTube channel where most of my content winds up.

Miscellaneous Sites

So, there are a lot of sites that aren't going to get a detailed breakdown, and a lot of programs I haven't looked into yet. But the trend of sites either requiring you to have absurd followings, or passing off the actual paying part to someone else, is pretty common.

- Blue Sky: No official program yet, but apparently there's talks to change that.

- Twitter: It's a cesspool of bots, fascists, and pornography, but you still need millions of hits and a blue check mark to get paid.

- TikTok: Getting a straight answer is nearly impossible... but it requires hundreds of thousands to millions of followers, and even more views, to make any kind of money.

If You Have That Following, The Pay Is Insulting


There's an old story I mentioned somewhere on this blog about Michael Jordan being interviewed. He mentioned that when he was a rookie player, nobody wanted to give him shit for free. Once he was a champion and a celebrity, people wanted to give him free merch, comped meals, tickets to events, and a bunch of other stuff. They gave it to him because he was famous and well-known, but the point he made was that he didn't need it then.

This is basically the same thing when it comes to getting paid by social media sites.

Because if you can accumulate 100,000 followers (to say nothing of a million), then chances are pretty goddamn good you can get enough people out of that audience to buy your books, merch, support your crowdfunding, or watch your videos. And while getting a little bit of extra gravy on top for having a big audience is nice, sure, this isn't something that's reasonable (or even possible) for small-time creators.

So by all means, if you find yourself skyrocketed to stardom overnight with people hanging on every word, go for it. But if you're looking for some way to pay your bills right now, you're going to have a much easier time getting people to buy more copies of your book instead of getting 1 in every 300 people in the United States to click that follow button.

Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

The Azukail Games YouTube Channel (where I contribute video content)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel above!




Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list.

Tuesday, August 20, 2024

Why I've Set My Sights On My Podcast "Windy City Shadows" Instead of Another Novel

While most folks know me as a TTRPG creator, a lot of people who read this blog know me as a short story writer and a novelist. However, a few years ago my publisher died, and several of my books were in limbo for a while. And while my dystopian sci fi thriller Old Soldiers, as well as the two entries in my hard-nosed mystery series about the street beasts of New York City Marked Territory and Painted Cats got a re-release a little while back, I wasn't working on any new novels while that shuffle was ongoing. And now that the shuffle is finished, and my books are back on the market... well, I'm still not working on any new novels.

Not because I don't want to. I would love to have the time and freedom to devote to a new novel project right now. It's not because I don't have ideas. At last count I have over 50 viable novel concepts that I could spend the rest of my life working on and just barely get to press if my heart holds out. The reason is, put quite simply, I cannot devote over a year of my time and energy to a project that then earns me maybe a hundred bucks before it runs out of gas.

So this week I wanted to talk about that, and how I'm pivoting my energy as a creator... for the time being, at least.

Sadly, needs be when the devil drives.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

What I've Been Doing For The Past Year


To give folks a timeline, summer 2022 was when Ring of Fire closed its doors, and authors were largely let go to find ourselves new homes. I managed to do that, and to get my books slated for re-release. There were some hitches and stumbles, but by Fall of 2023 all of my lost novels were back on the market, and available for purchase. And while I was pushing my books, both in-person and online, I was also dedicating a lot of time and energy to my latest book release, my first ever tabletop RPG, Army Men: A Game of Tactical Plastic!

A book that you should check out, if you haven't yet!

While Army Men dropped earlier in 2024, I've also been putting a lot of work into various short stories over the past year. In the event you didn't see them, these include:

- The Final Lamentation: A Warhammer 40K story about how the Black Legion finds out the hard way that a Lamenter is not locked on the ship when them... they're trapped in here with him!

- Where The Red Flowers Bloom: A Weird War II tale, this story features a Japanese garrison on an island in the middle of the Pacific where a strange curse overtakes the soldiers who've trespassed on the land during the season of the bloody flowers.

- Gav and Bob, Part 5: Faith and Martyrs: Another Warhammer 40K story, the Imperium's bravest ogryn speaks with a canoness confessor, who weighs both his sanity and his soul after the deeds he's done.

- Black Marks: A Dead Space story that was commissioned by the YouTube channel A Vox in The Void, by the time you're all reading this blog entry, the audio drama for it should be live on the channel! This tale takes place on Earth in the far future, and how one damaged agent uses his broken mind to save all of us from being eaten by things beyond the stars.

While I've been keeping myself busy all this time with a slew of different projects, I was partially waiting to see what the results of my books' re-releases would be. After all, one of them got a new cover and additional internal materials, and the other two were still new enough they hadn't quite found an audience yet. I was eager to see what my own promotional efforts, as well as what the efforts of my new publisher, would yield.

In the end... not much.

Without bringing up the receipts and showing them to you all, I earned enough money that I could treat myself to a fast food lunch this past quarter. Or enough to pay a little more than half of one month's utility bill, if I saved two quarters of payments.

Now, that could change. Something I say, or do, might get a bunch of people interested in my books. I might find an overnight following, or suddenly explode thanks to the efforts of reviewers I've never met... but I've been playing this game for a while. I know none of that is likely to happen, and writing one more book to throw on the pile isn't likely to change my situation in a real, noticeable fashion.

I still have the desire to really sink my teeth into a bigger, meatier project, though. Something where I get to tell a longer story full of intrigue, danger, and a bit of the old ultraviolence. Which is why I'm currently so fixated on the Chronicles of Darkness podcast I want to start titled Windy City Shadows.

A Dark Pack Project On The Horizon!


There is a world beneath the one you know. A world of magic and monsters, full of horrors that will haunt your dreams, and a beautiful madness that will seep into your very soul. If you fall through the cracks of the Windy City, you may find yourself among the broken, and the Lost. These things that were once people were dragged out of the world, and they had to claw their way back kicking, screaming, and changed. They are not now what they were. They are more... and so much less.

Politics among changelings is edged at the best of times, and outright deadly at the worst of times. Shepherd Black left that all behind, along with his position as the Fall Court's enforcer. But when someone from his past calls in a favor he has to honor, and a promise he has to keep, the old wolfhound has to let the beast out one more time so he can settle up, and finally be truly free from his old life.

This simple elevator pitch is what I want to do for season one of Windy City Shadows, whose working title is Grimm Promises. Shepherd Black escaped from a life as the lead hound of the Wild Huntsman, to becoming the attack dog of the Autumn Queen. When he finally left it all behind, an old debt drags him back into a life of blood and shadows... a life he won't be able to leave again without paying a nasty price if he truly wants to walk away.

There are more details about this in the blog entry Windy City Shadows: A Chronicles of Darkness Podcast Proposal, and for those who are interested there's still a little bit of time to leave your input for the upcoming video I talked about in Ask Me Anything About "Windy City Shadows" A Chronicles of Darkness Podcast Proposal.


I've had several people ask me why I'm dedicating my time and energy to a project like this rather than writing another novel. So I wanted to take some time to illustrate the numbers, and dig into this as a business decision, rather than just following my creative desires.

A Novel:

- 70K-90K words for one of my books.
- Takes roughly a year of time to write.
- Can't be released until it's entirely complete.
- Receives no advance.
- Takes several months to a year to be published.
- Cannot be read for free by the audience.
- Is hard as hell to sell, and only yields money from sales.

Contrast that with the podcast:

- 40K-80K words, depending on the final number of episodes for the season.
- Can be written, recorded, and released in stages, allowing it to come out faster.
- Likely a year of time to a year and a half to finish and release a season.
- Can be listened to by the audience for free.
- Will have ad spots to pay revenue.
- Can receive donations from audience members who want more.
- Will have a per-episode fee from at least one backer outside of Patreon.
- May result in sales of tie-in products that already exist (TTRPG supplements for Changeling: The Lost, Geist: The Sin Eaters, etc.).

Now, neither of these projects will be easy to make. They're going to take a lot of time, energy, editorial, and working together with multiple people to ensure it's as professionally perfect as possible. However, a novel only provides me one way to get paid, which is selling the book once it's released. The podcast lets me get paid through Patreon, through ad revenue, and through the backing of my publisher, whose channel I'll also be sharing the production on.

The minimum amount of money I could make from a novel is $0, assuming no one buys copies. Realistically, though, I feel I could make between $100 and $200 in sales for a new book, based on overall numbers from previous new releases. The minimum amount of money I could make for releasing the smallest number of episodes for the podcast is $250, which is just the amount of backing I'd be looking at from the one individual outside of Patreon. That's before any ad revenue, before building a Patreon following, and before any other kind of income allowed under the Dark Pack agreement.

If money was no object, folks would be seeing a lot more books from me. However, I've lived beneath the poverty line for the past decade, and I don't have a lot of cushion in my safety net. So this is the mental math I've been doing, and it's one reason I'm so fixated on getting the Azukail Games YouTube channel monetized, because that is the first step to setting the wheels for this whole thing in motion!

So if you want to help make this show a reality, please check out the channel, subscribe, and help us get the last few hundred watched hours we need for YouTube to give us that official status. And while you're at it, maybe give some of the older audio dramas I made for Changeling: The Lost a listen so you can hear what you're in for, and maybe get a sense of some of the characters you're going to see make return appearances!


Support The Literary Mercenary


If you want to see me produce more work, consider some of the following options!

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel, as well as my Rumble channel listed above!




Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!

Friday, July 28, 2023

The Screen Writers Strike is Showing That None of Us Are Getting Paid

Right now, everyone has their eyes on the screen writers and actors guild strikes that are going on. As with many such strikes, the participants are laying bare the greed of their employers, the shady things tactics being used to try to prevent paying them (attempting to bodyscan actors to use CG versions of them indefinitely, using chat bots to try to write scripts, full-on canceling films and series from being available so they don't have to pay residuals to the people who made those movies and TV shows, etc.), and most importantly how little creative professionals actually make.

Because I've been saying this for years, but I feel like this strike is dramatically opening people's eyes to the fact that creators of all stripes have been getting screwed by production houses, publishers, etc., to the point where most of us simply cannot make a living doing what we do. Even if we are experienced professionals with a long history behind us, the powers-that-be basically expect us to work for pennies, and then when we complain they make public statements about starving us out.


I am not a screenwriter, in the sense that I don't write for television or film. Nor am I a member of either of the two unions currently on strike. However, as someone who's been making my living for years as an author, I want to weigh in and point out that these stories people are hearing about actors getting ripped off for chump change, getting screwed over by contract technicalities, or being told to take pennies and be grateful for it? Yeah... that really is the norm. Not just for actors, but across all creative professions.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

Most of Us Aren't Big Earners


If you've been paying attention to what's happening, then you've likely seen a lot of actors sharing their stories about how dramatically underpaid they are, even for iconic roles that still echo in pop culture to this day. Whether it was David Fielding who only made $150 as the face of Zordon in Power Rangers, Mara Wilson stating that she makes so little as an adult actor that she doesn't even qualify for health insurance through the guild, or any of a dozen other stories that have surfaced during the strikes, the public has been reeling from the numbers.

Because, generally speaking, we only see the top earners, and we just assume that even if you're not at the top, then surely you still make enough to survive? Surely you do... but no. No we don't. Regardless of our field or specialty, a large majority of us barely make anything.

At all, really.

It doesn't matter what part of the creative industries you're talking about here, either. Because whether we're talking about the movie stars like Dwayne Johnson and Brad Pitt, top billing musicians like Dolly Parton or Taylor Swift, or authors like Stephen King, Neil Gaiman, etc., most people only hear about those who are at the top of the heap. You hear about them because they're newsworthy, but for people outside your industry, they become the perspective through which you see all those creatives. After all, if a handful of people at the very top are making millions and millions of dollars, then surely even the folks on the lower end are making enough to comfortably pay rent, and maybe save up for a house. Just like how football and basketball superstars may get $25 million contracts, but even the bench warmers are still pulling down 6 figures just for being there, right?

The strike has put an end to that belief by bringing the receipts... and it's my hope that it causes things to change. Not just in the sense that big studios, publishers, labels, etc., should pay the talent more, but also that the public should side with the artists, and do their part to help us keep making things. Because the unfortunate truth is that as things stand, we all basically depend on our fan base to help us survive. Whether that's helping us market our books, contributing to our Patreon accounts and Kickstarter projects, or just helping us keep our views/reads up so that we can attract sponsorships, the audience is what makes or breaks us.

Because without you all doing your part, none of us make anything. Pure and simple.

How You Can Help


If you want to help the folks currently on the picket lines, here's what you need to do. First and foremost, pay attention to what the guild is asking from the public. At time of writing, there has been no call for a boycott of anything, so by all means go see movies, stream shows you like, etc. This helps make the case that studios need actors, writers, etc., and it can still stimulate residuals for some people (even if those numbers are a joke in a lot of cases, as we've seen from the checks).

Also, consider donating to the Emergency Financial Assistance and Disaster Relief Fund for SAG-AFTRA. This is the fund that's helping people pay their bills while they're on the picket lines, helping them hold out against stonewalling from the corporations. And since some of the suits have come out and said they literally plan on starving out those who are protesting, you can do your part by making those CEOs eat those words.

Support The Literary Mercenary


For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Like, Follow, and Stay Tuned!


That's all for this week's Business of Writing!

If you'd like to see more of my work, take a look at my Vocal archive, or at My Amazon Author Page where you can find books like my sci fi dystopian thriller Old Soldiers, my sword and sorcery novel Crier's Knife as well as my recent collection The Rejects! You can also check out my Rumble channel The Literary Mercenary for free audio dramas!

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!