The problem, of course, is that for the couple of pounds of jelly housed in your skull that makes all of your decisions, real is a slippery thing to define.
But if Darkblade isn't real, is anyone real? |
What psychologists have found in studies like this one is that fiction also creates the capacity for empathy in the reader. Because your brain can't tell the difference between reading about a person who doesn't exist, and actually knowing someone who does. As long as the book you're reading provides you with an emotional journey that invests you in the character's experiences (something Scientific American pointed out, even if they also took the time to shit on genre fiction while they were at it) it improves your ability to empathize with other people.
So, the more you read, the more able to see other people's perspectives you become. This also means that people could begin to sympathize with perspectives they wouldn't otherwise see, or which they simply have no first-hand experience of. The same way as if they had diversified their groups of friends or family members in real space.
The Ripple Effects of Inclusion and Diversity
This is where the true power of the written word really shines through. Because just like how a scary story might give us the vicarious thrill of being chased by an undead maniac, other stories could put us in other situations we've never experienced. What it's like to be a young woman for male readers. What it's like to have a disability for those without such a condition. What it's like to be an ethnic or religious minority just trying to make your way in a world that is doing its best to keep its boot firmly on your head.
Fight the man, you feeling me? |
In short, making friends with fictional characters affects us. The messages we see in their worlds lodge themselves in our brains, and open up channels that might not grow in any other way. They allow us to see different perspectives as readers, and to understand people outside our own experiences and beyond our own skins, metaphorically speaking.
This is why it's important for people to read a varied diet, but it's also why it's important for writers to make sure that the characters and stories we present are the sort of things that we want changing people's brains. We need to make characters, not caricatures, and to present scenarios that have internal consistency and logic to them, while also being engaging to read. In short, we are the ones tasked with making brain food for the masses, and tricking them into eating a double dose of empathy because it has a candy coating of engaging story and tasty drama to it.
Nobody ever said this job was easy. But if you've ever wondered if what you're doing matters, know that it does. You are literally affecting the way people see the world when they chew through your story... who else can say that about their work?
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That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sword and sorcery novel Crier's Knife!
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