Wednesday, November 29, 2023

4 Holiday Gifts For The Writer on Your List

The holidays are upon us, and if you have a writer on your list it can sometimes leave you scratching your head about what to get them. While the best present is buying copies of their books as gifts to other people, as well as leaving reviews online (incidentally, my sword and sorcery novel Crier's Knife is still on Amazon, and my dystopian sci-fi thriller Old Soldiers was recently re-released), sometimes you want to get them something special, too.

Not only that, but you don't want it to be more of the usual. After all, most writers would be all too happy to get a pack of journals, a set of personalized ballpoint pens, or other sorts of presents, but that's the kind of thing they might expect... more importantly, it's the sort of thing other folks in their circles might think of.

So what should you get them? Well, I'm not an expert, but if you want a stocking stuffer, or just something they'll actually use down the line on one of their projects, consider some of the following items.

Practical and thoughtful, as well!

Before we get into it this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! To be sure you're following all of my followables, check out my LinkTree!

Lastly, make sure you check out my Vocal archive for several hundred other articles about geek ephemera, weird history, writing, and more!

#1: Bluetooth Keyboard


This is #1 for a reason.

The image of the writer out and about with a laptop is iconic for a reason, but sometimes you don't want to bring your whole rig with you. Either you aren't sure if you're going to be working on something, or you know you aren't going to have a lot of space. But if you have a tablet or phone, and an Internet connection so you can reach your Google docs, then this is an ideal gadget to keep in your jacket pocket.

I have a model just like the Omoton foldable keyboard, and I was testing it recently at Friendsgiving while I was on an editing deadline. It took a bit of getting used to, but it allowed me to make some progress on my most recent TTRPG supplement guide without monopolizing an entire table to myself. One recommendation I might make, if you think someone is going to do more than just type up stories and documents using this keyboard is to go for a full mousepad version like the Geodmaer, which gives you that extra bit of functionality.

#2: A Rubber Ducky


Trust me, I'm going somewhere with this.

This entry might seem like a gag gift, but I'm very serious about this. If you're not familiar with The Rubber Ducky Method, it's something that was created by programmers. In short, you take a rubber ducky, and you walk them through every, single line of code until you've pinpointed the problem, treating them like an outside consultant. Writers can often benefit from the same process... and even if the writer on your list doesn't personally use it, everyone loves a themed rubber ducky!

If you happen to have a lot of writers and programmers on your list, you can even get a rubber duck variety pack, and choose which ones best fit your friends and family. As a final recommendation, consider giving the ducks names and personalities, then writing them on a small card to personalize them to a person's tastes that much more. It's fun, cute, and it's something they're likely to keep on their desk long after the holiday is over.

#3: Pen Holder


Kitschy? Absolutely. But well loved.

There are few weird little gifts that are better loved than a pen holder, in my experience. That is, of course, assuming the writer in your life uses pens, pencils, etc. But there are a variety of these out there, ranging from the typewriter pictured above, to the kneeling knight (my own customized squire that I gave a Warhammer 40K sheen to is Brother Pencival), to a revolver cylinder for those who want a weaponized feel for their accouterments. So you've got choices.

As an additional note, find out if the writer on your list goes to conventions, or regularly hosts book signings. These little accessories can be ideal for adding some details to your table, but if they're going to travel with this gift, make sure it's tough enough to handle a little jostling from time to time.

#4: Gamification of The Craft


Because sometimes work should feel like play.

Story prompts are things we're all intimately familiar with, whether we use them professionally or not. However, tools that turn writing into a game can be a good little exercise for the mind, especially if (as tends to happen) the writer on your list has writer friends that would show up to a game night for something like this.

The Storymatic is one such game, but for those who like things a little more freeform there are also things like Writing Dice which let you roll up a new prompt with a wave of your hand. A little on the lighthearted side, tastes will vary on this one as a gift.

Support The Literary Mercenary


For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Like, Follow, and Come Back Again!


That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!

Wednesday, November 22, 2023

Dealing With Project Paralysis

While it isn't universally true that writers are constantly brimming with new ideas, in addition to stewing on older inspirations we've been saving for a rainy day, most of us who do this for a living have far more projects on our to-do list than we could ever finish in a lifetime. Even if we got in an acceptable word count every, single day, and had someone else paying all of our bills so we could focus on putting words on the page, it is rare indeed for someone to ever get so much written that the mill stops due to lack of grist.

And whenever we finally put the finishing touches on something, and release it into the wild, we're left with one question. A question that can provoke anxiety, uncertainty, and for some of us an outright fear freeze. That question is, quite simply, what are we going to dedicate ourselves to next?

No pressure... no pressure at all...

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

The Right Tool For The Right Job


Now, all kinds of writers get project paralysis. Doesn't matter if you're doing it for the love of the game, or if you're an international bestseller, all of us will have those moments where we look around at the entire backlog of projects we have, and feel overwhelmed by our options. And the bigger your backlog, the easier it can be to feel overwhelmed. After all, what if you pick the "wrong" idea? What if you can't finish this one, and end up wasting time? What if it's not as creatively fulfilling as you'd hoped? What if you're out of touch, and no one likes this story as much as you do? Or, even worse, what if this is the one that defines you, and it becomes something you have to work on forever?

Pause. Breathe. Exhale. Drink of water.

It can be hard to know which story idea you should pick next out of your entire collection of concepts and characters. However, think about your stories as a cabinet full of guns. They're there in all kinds of different shapes and sizes, each a tool for a different job. So rather than panicking over which one you're going to take with you (or, worse, trying to take all of them at once), ask instead what kind of hunt you're going on, and which piece of your armory will serve you best in that endeavor.

Pot boiler mystery. I can churn these sum'bitches out!

First and foremost, ask what your goal is with this project. For example, if you are looking to get in with a certain publisher or agent, they may only accept books of particular genres. That will help narrow down your choices. Alternatively, you may want to win a particular award, which will also narrow down the projects you have to choose from. If you want something that's going to be profitable, or appeal to the broadest market possible, you can also use that as a tool to evaluate which of your ideas has the most potential. You should also ask if you want to start a big, rolling project that might have many sequels if audience response allows it, or if you just want a one-and-done, standalone book.

Practical filters are often more useful, in my experience, than personal ones because they take a lot of our emotions and our egos out of the equation when it comes time to choose a book. After all, we may feel torn that we've left some of our older ideas to sit and rot, or we might feel guilty trying to choose among our projects because we've very attached to all of them. But if we can step back and say, "Look, I love all of you, but we have bills to pay. Our fantasy novel did really well, and our sci fi series is growing. So, next project needs to fit one of those two molds," then you're going to get a lot closer to actionable solutions than just agonizing back and forth about things.

Lastly, if you have either professional connections who can give you insight into your work, or a very active fan base, consider consulting them before you make your decision. After all, if you have a publisher or an agent that you've worked with already, they might be able to help read the tea leaves with you, and to make recommendations based on project pitches as to what they think will do really well. Or if you have a fan base that follows you on social media and weighs-in with their thoughts and feelings on your work, you can just ask them what they'd like to see most.

While no one data point is likely to help you escape the clutch of decision paralysis, if you get feedback from yourself and others, while comparing it with what you need as a return on investment for all the work you're putting in, that will often help you whittle your list of potential projects down to something far more manageable for you to choose from.

Speaking of Audience Input...


While we're on the subject of decision paralysis, though, I did want to ask my readers for their thoughts regarding what I pursue in the near future. For those who don't know, in addition to all my other projects, I also make videos for the Azukail Games YouTube channel. I've been working hard for the past year and a half or so to get that channel monetized, and one of the projects I'd like to pursue when that happens is to make some kind of long-form audio drama in a podcast format. Something that would be an extended version of the very short audio dramas that I've already made for the channel, like the one below.


Now, my original plan was to put together a show telling dark, modern fantasy stories in the Chronicles of Darkness setting, which I outlined in "Windy City Shadows," A Chronicles of Darkness Podcast Proposal. I even followed that original pitch up with some ideas for what I'd like to do with a second season, if I get that far, with Dead City Blues: A Potential Second Season For "Windy City Shadows".

However, while I would very much like to work on that idea, there are several other directions I could go with it. For example, I could put together an original sci-fi podcast drawing element such as the Titansworn Knights in their mechs, and the fanatical warriors of the Knights of The Void, both of which were found in my first Sci-Fi Audio Drama Trilogy. Alternatively, I could dial in on the Harrier's Guild, the corruption of corporate officers, and the struggle for worker rights that were the center stage of my Cyberpunk Audio Drama Trilogy. I could also delve into my Sundara: Dawn of a New Age setting to tell high fantasy tales, not unlike Send In The Dogs (a story of the Manhunters being used as a pawn by the Landers Guild), or Testing Your Wings (which details a sky race with the white dragon Frost Fang in Hoardreach, The City of Wyrms).


In short, I've been experiencing a bit of project paralysis, as my mind keeps coming up with more and more directions I could go, and all the different stories I could tell. My question for you, as the audience, is which one would you like to hear most?

If you want to weigh in, and help give me the feedback I need for this, please do the following:

- Leave a comment either on this blog, or on my social media where you found this article. Give as much feedback as you can about what you liked, and what you want to hear more of!

- Watch, like, and share the videos on the Azukail Games channel that are in the category you want to see a bigger production of. Videos with the most views are likely to get more consideration, and we still need over 1,000 hours of watched time at time of writing to get monetized.

- Subscribe to the channel. It technically only takes 500 subscribers to get monetized, but the more the merrier as far as the algorithm is concerned!

Your assistance and input are much appreciated, because it's difficult to figure out what is likely to get the biggest response from the audience. And at the end of the day, you all are the ones I want to make this for, and to entertain with these upcoming episodes!

Support The Literary Mercenary


For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!

Thursday, November 16, 2023

Does Your Story Need a Framing Device?

A lot of the time when we start off telling a story, we don't actually tell the story proper. Instead, we start off telling a different story entirely, which acts as a kind of bookend to the tale we're actually here to tell. It might be extremely meta, where your story of a fantasy swashbuckler is framed as a story being read by a grandfather to a grandson, or it might be a recollection from an old woman telling a tale about her youth when she was on an ill-fated ship. In either case, those stories aren't what we're here for... rather, they're what we call a framing device.

And while they're a useful tool to have, not every story is going to need one.

After all, not every picture needs a frame.

Before we get into it this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! To be sure you're following all of my followables, check out my LinkTree!

Lastly, make sure you check out my Vocal archive for several hundred other articles about geek ephemera, weird history, writing, and more!

Framing Devices, and What They're For


Framing devices serve a lot of different purposes, depending on your story. For example, a framing device can set a tone for a particular series; consider Tales From The Crypt, where the show host reads us the intro and outro, showing that all of these tales are part of the same universe, and are collected in his tomes. These bookended stories can also be used to help introduce an audience to fantastical concepts, or even to cast doubt on the narrator, or the main story being told. This can be particularly useful if you have an unreliable narrator, as the framing device can be used to provide contrast, and to get your audience thinking about what they're being told.

Self Publishing and Screencraft actually go into even more examples, showing what makes this device work, and talking about its history for those who want to go even more in-depth on it.

Stories within stories are a long and proud tradition.

It should be noted that while the story of the framing device and the nestled story can touch one another (Titanic is a perfect example, as is The Neverending Story), that is not a requirement of this plot device. There are plenty of plot devices where the story is being read out of a notebook, or pieced together from an old family member's letters, or even reading a fairy tale to a sick relative (making it very clearly a piece of fiction within the world of the framing device). And while the story may teach a moral, or offer insight, it isn't required to be part of the same world that the framing device's tale takes place... and even if it is, it doesn't have to directly involve the characters in the framing device, and their story.

Now, a framing device is rarely a required part of a story. Even in stories that use this literary device perfectly, you can often still strip it out and tell the nestled story on its own. However, just like a picture frame, the question is whether this device makes the overall effect a more pleasing experience. Because a framing device can draw your attention to the important parts of the narrative, while also covering up ragged corners and small plot holes, guiding the audience's attention, and even getting out ahead of their questions and curiosities. On the other hand, a framing device also has the ability to just make everything feel busier, and to complicate an image to the point where the viewer just doesn't enjoy the experience as much as they would without that frame.

Like everything else, it's a tool. Whether it's the right tool for your story, that depends on what story you're trying to tell, and whether this structure does what you want it to do. And sadly, just like with finding the right frame for a picture, sometimes you need to see it both with and without that frame to decide for yourself if it really makes the whole experience better.

Support The Literary Mercenary


For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Like, Follow, and Come Back Again!


That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!

Thursday, November 2, 2023

The Reason Social Media Sucks For Everyone These Days (Not Just Creators)

Social media these days sucks. That's probably a statement you've heard before, and it's the sort of statement that sounds like the usual old person griping about how things have changed since their day. You hear it with fashion, movies, music, and every other aspect of life, so of course people are going to complain that social media was so much better when they were young, and in the prime of their life.

As someone who depends on social media for at least part of my living, though, you aren't imagining it. It really does suck more now than it did before... and if you're a creator, that's a storm that just might sink your boat.

And it doesn't look like it's going to get better any time soon.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

The Enshittification of Everything


I really wish I could take credit for this term, but alas, I cannot. Enshittification, or to use its more polite term according to The Chainsaw platform decay, is basically a microcosm of the capitalist mindset on fast-forward.

So how does it work?

Well, the first stage of the cycle is where you create a platform, and do everything you possibly can to attract a huge user base to it. You charge little to no fees, you provide great features, you keep it open to as many people as possible, and most importantly you provide something of value to your audience. Maybe you're a search engine that gives fast, accurate results, an online storefront that gives you access to a massive amount of products at a low price, or maybe you're a social media platform that gives people a smooth timeline, ease of use, and the ability to connect to all of their friends.

Once a platform has made itself valuable to the users (often by running at a deficit, or by barely breaking even), that's when it starts altering its priorities. Maybe your social media site or your search engine starts slipping in more ads. It's subtle at first, but they're bringing in revenue, and they aren't too big of an eyesore. Maybe your video streaming platform ads a second ad at the beginning, or has several ad breaks throughout longer videos. Maybe your digital store now has "recommended" products at the top of your search results that are paid placement from clients who want to make sure shoppers see their stuff first. The platform isn't terrible yet, but it's taking its first steps down the path to hell.

Just sign here on the dotted line, if you will...

The decay continues as the platform's greed increases. Now the platform is choking off the signal for average creators, trying to squeeze money out of them to force them to pay for ad space. This also stops users from seeing anything from their friends, family and community. The platform increases the cost to bigger clients for ads as well, making it a huge pay-to-play market. In the end, no one other than the platform is getting anything out of this arrangement.

By the time you reach the end of the decay cycle, you have a platform that is rotten to the core. It's trying to squeeze its clients, its users, and the service it was providing is being actively degraded as it tries to charge you for more, and more, and more. And when all is said and done, there will come a point where everyone on both sides of the corrupt middleman dusts off their hands and simply says, "No more." They abandon the platform, moving on to somewhere else, and leaving the platform without the blood and treasure it needs to keep itself alive. Maybe it backs up and readjusts its course, but it's entirely possible that the platform just dies, leaving a power vacuum for something else to try to take its place.

This is Happening To Social Media Before Our Eyes


If you've been watching the trash fire that is Twitter, then you've seen this kind of action in real time. While the platform had its flaws before Musk took over, he put on the gas on the enshittification process. He started removing features users liked (and firing a lot of people to reduce the overhead), charging for things which were previously included (the ongoing saga of how much users would have to pay for the blue check mark), and actively alienating both users and clients with the way the platform was run.

Twitter is, of course, not the only platform dealing with this kind of decay.

We see it with Facebook, where user signals don't travel nearly as far as they once did, and creators are constantly encouraged to pay for advertising if they want people to see their posts. We see it on Reddit with the removal of fixes and work arounds that helped keep many communities functional. We see it on YouTube as they enact more and more stringent guidelines on many creators if they want to be monetized, eliminating entire genres of content off the platform, and leading to a bizarre kind of doublespeak as people try to avoid invoking the wrath of the algorithm.

And we're all suffering from this. The users in our audience, the creators writing books, running blogs, and making videos, and the companies who want to find a place to sell their products or sponsor us as creators... we're all getting squeezed.

And it's why so many of us rely on straight crowd funding these days.

I've got the numbers myself, just from my own little corner of the Internet. In ye olde days, I could share a blog post from Improved Initiative, or even from right here on The Literary Mercenary on just Facebook, and it would usually get around 400 hits just from the groups I shared it in. That was my bottom floor. If it was a popular topic it could get up to 800 or 1,000. If I also shared it on Reddit, I could easily see it climb to between 1,500 and 5,000 hits.

These days? I'm sharing my articles in more than double the locations on Facebook, and it generates about 20-50 hits. On Reddit I'm also going into more subs than I ever did in the past, and I'm lucky if a single post even breaks 1,000 hits. For something to get more than that it has to really catch the attention of a community, and start a small firestorm of replies, shares, etc. And even then, the reactions from the community are worth so much less than they were in the past, making it a monumental task to even be seen, much less to make sales.

So What The Hell Are We Supposed To Do?


As I said back in Why Writers Hate All These Twitter Alternatives (Hint: It's Because They're Useless), all of us are caught in the whirlpool of the drain of enshittification. It's not just Twitter, or Facebook, or Reddit, or YouTube. It's not just Amazon, or Netflix, or any other titan of industry... it's all of them. They grow as big as they can, crush their competition so they're the biggest name in town, and then they start turning the screws until eventually there's no more blood left in the stone.

So what are we going to do? Unfortunately, the answer boils down to, "Try our best to survive."

And that also means we need to rely on our audience more than ever.

Surviving has a lot of aspects to it. On the one hand, we need to try to navigate the changing faces of the platforms we're already using, even as they decay right under our feet. On another hand, we have to try to keep an eye out for replacement platforms that give us more tools, a more direct connection to our audience, or which help us find a bit of breathing room. And while we're doing all of that we still need to find time to actually create new content, write new books, or whatever else it is we're doing.

And let me tell you... it is exhausting trying to navigate a sinking ship day in and day out while also keeping an eye on the horizon for a more seaworthy ship, and remembering to play enough music for people to hear us. And most of us could really use a life preserver right about now.

Support The Literary Mercenary


For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

The Azukail Games YouTube Channel (where I contribute video content)
My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Like, Follow, and Come Back Again!


That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!
 
And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on FacebookTumblrTwitter, and now on Pinterest as well!