Just Because I'm Not Writing Novels, That Doesn't Mean I Stopped Writing Fiction

I announced a little while back in So My Novels Have Been Unpublished (For Now) that the 3 novels of mine that have been unpublished should start coming back into print under a new publisher sometime this fall, and with luck all three of them will be back on the market by the end of the year. In addition to those 3 novels, though, I have one self-published dagger-and-witchcraft novel, as well as a collection of short stories that are still in-print, and those are all the physical books of my work currently out in the world.

Over the past year and change, however, I've had more than a few folks ask me when I'm going to put out a new novel. Will I write another noir cat mystery? More grim sci fi? Or will I show up with an entirely new premise?

Sadly, it's unlikely that I'll be writing novels for several years to come, if at all, again. And I wanted to talk about why that is, while also mentioning that just because I'm not writing novels that doesn't mean I've stopped writing fiction.

If anything, I put out more of that than ever these days.

And even better, a lot of it is free!

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

Struggles and Realities

Full disclosure for folks who don't know, and thought the name of my blog was just a quirky little joke, but I'm a professional writer. This is my job, day in, and day out. And over the past decade or so, my margins have gotten thinner, and thinner with regards to what kind of earnings I need to justify my time and energy. And I know that, for me, writing a novel takes anywhere from 8 to 12 months for the rough draft, another month or so to edit it, and then once I turn it over to the publisher I've got between 3 and 12 months before it hits the market.

So writing a novel is an investment of somewhere between a year and two years of effort. And given that I tend to write them at around 500 words at a time, well, that's not that big of a deal, is it? Can I just not find time for that in my packed schedule?

No, actually. I can't. Not anymore.

Let me run you through what goes on behind the scenes.

During an average day I spend several hours on social media promotion (honestly it's one of the most frustrating tasks that is one of the most necessary for paying my bills). Then I have to add material to the two tabletop RPG supplements I have to turn in every month (because those have both an up-front payment and a royalty attached to them, so they're a priority). I update one of the two blogs I run (which are funded through my Patreon, and whose links earn me additional money if I make a sale through them). I record/edit video for the Azukail Games YouTube channel, The A.L.I.C.E. Files, or sometimes both. If I have any time left at the end of the day, I will work on a fiction assignment for a client if I have one, because when I hand those in, there's a check in my hand.

With all of that, I have enough free time to eat a few meals a day, go to the downstairs gym 3 times a week, and attend my bi-weekly RPG session for 2 evenings out of the month. That's it. My day starts when I roll out of bed, and it doesn't end until somewhere between midnight and 1 in the morning, depending on when I put the final words on that day's last project.

Now, this isn't me saying that I don't want to write novels anymore, or that I'm just not up to the task. If anything, I'd love to crack my knuckles, sit down with an outline, and get back to work on a full-sized book again. And if my books find an audience when they're re-released? If a good marketing campaign causes a booktok stir, or for some reason everyone starts paying attention to them? Well, if I don't have to cram so much stuff into every, single day, then I might just be able to find a little bit of room in my schedule to start working on another book.

I've got outlines and plots for days. Somewhere between 20 and 30 of them, at last glance through my notebooks. I could do nothing but write novels between now and whenever I die, and I'd probably still have more I wanted to write... but thanks to capitalism, that's not going to happen without folks out there raising a clamor, boosting the signal, and getting their friends into my fan club.

A Novel's Worth of Text Has Gone Into "The A.L.I.C.E. Files"

While I've written at least 17 RPG supplements this year, as well as 4 short stories, and a slew of blog entries, one thing I've been pouring a lot of work into is the ongoing audio drama of The A.L.I.C.E. Files. I launched this YouTube channel with Alice Liddell earlier this year, and we were hoping to grow it into a monetized channel where we could tell stories, dramatize some parts of our own books, and provide a fun tale for listeners to follow.

Well, I just finished editing the final episode for Season 1, and by my calculations, there's at least a novel worth of text that's been put on the screen thus far... and that's just for the main series plot. Alice herself has narrated the entirety of Alice's Adventures in Wonderland as a companion piece, and she's just started in on Through The Looking Glass to make sure folks don't run out of things to enjoy.

I bring this up here for folks who wonder where I've been putting my efforts, and what I've been making, because this is a project that's free, a little experimental for me, and that I've put a lot of sweat and thought into. However, it's also on a ticking time clock. You see, we need to get 1,000 subscribers and 4,000 public watch hours on this channel by the end of 2026, because in 2027, requirements to get a channel monetized are doubling. I mentioned more details in my recent post Thanks To YouTube's Recent Announced Changes, The A.L.I.C.E. Files Needs Your Help!, but I wanted to try to raise awareness of this again.

Especially since we're currently at 362 subscribers and we're just shy of 1,500 watched hours... so we really need folks to help us pull this one out before we run out of time, and find ourselves trapped between a rock and a hard place.

So if you could, please:

- Subscribe to The A.L.I.C.E. Files

- Watch all our episodes (preferably without a VPN or ad blocker on, as those hours get ignored by YT)

- Leave upvotes and comments (especially if you have theories on the ARG elements going on in the stories).

- Share the links on social media, and tell your friends about the series

I have plans for at least a second season of the show, where I'd like to expand the format, the cast, and more... but all of this is going to be dependent on audience interaction, demand, and whether we can hit our numbers.

So if you can help, please do! And if there are other small creators you want to see succeed, do these things for their channels as well. It makes a huge difference at the end of the day!

Support The Literary Mercenary

If you want to see me produce more work, consider some of the following options!

- My Facebook

- My Blue Sky

- My LinkTree

- My Weekly Newsletter

- The Azukail Games YouTube Channel (where I contribute video content)

- The A.L.I.C.E. Files (an audio drama channel I launched with Alice Liddell)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel above!

Like, Follow, and Come Back Again!

That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!

 

And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list.

The A.L.I.C.E. Files Crosses A New Threshold (As We Get Closer To Our Season 1 Finale)

It's been 5 months and some change since the trailer debuted on The A.L.I.C.E. Files, and we've been fighting the algorithm every step of the way. Since the series started we've explored the Cthulhu Mythos, the world of Exalted, stories of Old Testament angels in modern-day Los Angeles, tales of Victorian horror, and more! And in addition to that, we also have announcements from the Carroll Institute's staff, and an independent rendition of the original Alice's Adventures in Wonderland.

However, we recently crossed a rather important threshold that I wanted to tell folks about... and to ask those willing to listen to give us a hand up so we can blow past the next limit by the time we wrap up season 1!

Maybe two hands up... we're a lot further away than we'd like to be.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

1,000 Hours... Or 25% Of The Way To The Finish Line!

For those who haven't checked out the channel yet, The A.L.I.C.E. Files is an audio drama series with two separate but concurrent stories going on. The first story involves a young woman recruited by the Carroll Institute as a witness cataloger, and the job for the new "Alice" is to review the reports brought back by the Institute's agents from the other side of the rabbit hole... the colloquial name for the machine that opens rifts to other dimensions. The second track of stories are the reports themselves, where we see dramatized tales from these other dimensions, watching/listening to them right alongside Alice.

And we recently crossed the 1,000 hours benchmark!

Celebrate!

On the one hand, that's sort of a big deal. We've been recording, editing, and releasing stuff pretty regularly, and trying to get as many folks onboard for it as possible, so it's nice to get into that 4-digit range. On the other hand, though, YouTube's rules don't allow us to monetize any part of the channel until we have 3,000 watched hours, and 500 subscribers. We won't get a cut of the advertising revenue until we have 4,000 watched hours, and 1,000 subscribers.

 

We're currently at just over 1,000 watched hours, and we have 332 subscribers. Which isn't bad... but hoo boy do we have a long way to go from here!

So What's Happening Between Now And The Season Finale?

At time of writing, we're 11 chapters into Alice's Adventures in Wonderland with 1 more to go, we're 9 episodes into Alice's experience in the Carroll Institute, and we have a couple of small asides and announcements from Director Harrington as he breaks the 4th wall to keep the audience updated on what's going on.

Such as his update on the real Alice's basement flooding during the 4th of July storms that tore across the Midwest.

So, that comes out to 24 videos, and a total of roughly 6 hours of content for folks who want to sit down and listen to everything. But there's more on the schedule, and I wanted to lay it out for folks who are interested.

Despite the flooding, Alice managed to get the final chapter of Alice's Adventures in Wonderland recorded, and it should be out August 8. We have two more "regular" episodes of Alice at the Institute (one that is a cross over with the SCP Foundation, and one that delves into the grim darkness of the far future), which will go up on August 1 and August 15 respectively. And once those three videos are up, we'll have the season finale which ties everything together, and sets Alice up for the events of Season 2.

To sum up, that's a month or so of solid releases from where we are now, and an outline of what we'd like to do going forward... but we won't be able to get there without all of you!

Which is why if you'd like to see the channel grow, please consider doing the following to help us out:

- Subscribe to The A.L.I.C.E. Files

- Watch the episodes we have up (many of which have clues for the sharp-eyed who enjoy playing ARGs)

- Like and comment on the episodes you like (and to leave your theories about what's happening)

- Share the episodes around on your social media pages so we can drag some more folks into our orbit

If we could get 668 people to subscribe to the channel, that would get us over the subscriber requirement. If all of those new folks watched all of our videos, that would put us well over the 4,000 watched hour requirement as well! Hell, even if all the new folks just watched the Carroll Institute playlist, that would put us only a few hundred hours away from the goal.

On the one hand, this would take a lot of eyeballs and a lot of people to get done... but on the other hand, it's theoretically possible that we could get all of this done by the end of August, and then we could stride into season 2 with the ability to turn this show into a genuine income stream... and it won't cost our listeners a single dime!

So please, if you haven't checked out the channel, we could really use your support. And if you have 1, 2, or maybe even 668 friends (in person or online) we would really appreciate you putting in a good word for us.

Support The Literary Mercenary

If you want to see me produce more work, consider some of the following options!

- My Facebook

- My Blue Sky

- My LinkTree

- My Weekly Newsletter

- The Azukail Games YouTube Channel (where I contribute video content)

- The A.L.I.C.E. Files (an audio drama channel I launched with Alice Liddell)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel above!

Like, Follow, and Come Back Again!

That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!

 

And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list.

Sponsorships Allow Art To Be Made (And We Need Your Help To Get One!)

Do you know why the melodramatic, over-the-top dramas were called soap operas? Because these series (which began as radio dramas, but which eventually made their way to television) were focusing on the housewife demographic, and these shows were sponsored by soap companies. The idea behind it was that the audience would be at home during the day folding laundry and doing chores, and when they heard a certain type of soap sponsored their favorite show they would be more likely to buy that brand because they associated their enjoyment of the program with the soap that helps make it possible.

This is all old hat to us in 2026, because sponsorship deals have become the order of the day in the era of YouTube and Spotify. However, the fact is that writers and creators need that kind of backing in order to keep making their art while also paying their bills... and not everyone can get sponsorship.

However, that's a goal I currently has as co-creator of the audio drama channel The A.L.I.C.E. Files, so I wanted to talk about how you could help us (and any other creators you like, really) start getting offers from sponsors!

 

After all, you can't write if you can't eat and pay your bills.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

The Difference Between Affiliates, Sponsors, and Crowdsourcing

So, there's a lot of terms that get thrown around when discussing how creators get paid, and they can often be confusing if you're a reader or a listener, and not someone who's operating on the business side of the equation when it comes to creating shows, series, and so on. As such, I wanted to break down the differences so that readers understand what the terms mean going forward, and to be sure everyone is on the same page.

- Affiliate: If someone is an affiliate, they don't actually make any money up-front; rather they get a commission based on their sales. As an example, I'm an affiliate for Dubby energy drinks. So if someone clicks this link to go to their sales page, and then makes a purchase (using my code LITERARYMERCENARY for 10% off), then I receive a commission for that sale. For those who are curious, I do use this powdered supplement, and I can highly recommend them for folks who want something that's a lot cheaper than the canned stuff. And because I'm an affiliate, I can put that link in blogs, in videos, etc., and I get paid for sales... but if no one buys anything, then I don't make any money. These deals are easy to get, and basically anyone can sign up for them. I made a video about them a while back, for those who want a deeper dive: Affiliate Earnings, What They Are, And Why You Need Them.

- Crowdsourcing: Crowdsourcing, or crowdfunding, is when you get your audience (or just random people who get hooked by your pitch) to give you money to help you cover expenses. This covers platforms like Kickstarter (for projects that need one, big push to get made) or like Patreon (for people who pay a subscription fee every month to help keep your work afloat). While this option is very useful for novelists, and for people looking to complete an entire season of a show all at once, this is a direct contribution from the audience to the creator, helping to fund a creative endeavor. Incidentally, check out the Literary Mercenary Patreon page if you want to help this blog keep going!

 

- Paid Sponsorship: When folks talk about sponsorship, this is typically the kind of sponsorship they're referring to. In this arrangement a company will go to the artist, and cut them a check to essentially put a plug for their product in an episode of a show, to review them on stream, or something similar. This is pretty much the same way that Firestone, Blue Coal, and other companies paid radio shows like The Shadow, The Adventures of Sherlock Holmes, and others to have commercials for their products in the middle of an episode. Sometimes there's just the straight cash payment to the creator, and sometimes there might also be bonus earnings for each member or their audience who goes through a link, creating a hybrid between a paid sponsorship and an affiliate deal.

There, now that we're all on the same page as to what I'm talking about, what certain words mean, and how creators earn money, I want to talk a bit about how creators land these opportunities. Because, surprise, it's actually up to all of you whether or not creators can get sponsored when all is said and done!

Yep, It's All About Audience Participation

Let me get back on my old soapbox. Regular readers already know this one, but if you're new around this neck of the Internet, I'm going to explain something very simple. No matter how complicated the algorithms, no matter how much slop is out there, or how simple or complicated a project is, at the end of the day it is the audience that determines whether or not an artist of any stripe makes money. If you participate, and support a creator, then they will get noticed by folks with deeper pockets. And if you don't... well, then they're going to be that tree that fell in the forest that nobody saw or heard.

And some trees are harder to take down than others...

I say that because it's true, and I'm going to use YouTube as an example here. It doesn't matter how many videos you make, or how hard you work... until your channel has 1,000 subscribers, and 4,000 watch hours (or roughly 11 hours and change a day for an entire YEAR), you don't make money from it. And you have to hit those numbers in a single 365-day period of time if you want YouTube to actually share ad revenue with you.

At its core, the site doesn't allow you to make money off your videos unless you A) have an audience of a certain size, and B) a certain amount of eyes on the content that you've made... and getting sponsors is just an extension of this mentality!

Now, nothing is set in stone regarding the following figures. However, when it comes to paid sponsorships, the larger the audience you have, and the more attention your work gets, the better a deal you're going to get. Generally speaking, you shouldn't expect to get approached for a paid sponsorship until your channel has at least 10,000 subscribers (though some product reviewers may be approached if they have an active and loyal following that's smaller). However, all sponsorships are not created equal, and the more subscribers and followers you have, the more generous these deals are going to be.

Why? Well, it's pretty simple. Sponsors are paying for direct access to your community, and the bigger that community is, the more the partnership is going to be worth. That part, at least, is pretty cut and dry.

But I said this is all up to you, and I meant it. So let's take a hypothetical situation.

Let's say, for whatever reason, The A.L.I.C.E. Files becomes wildly popular over the next weekend. We're going to be talking to folks at the Chicago Steampunk Exposition, and the theme is Alice in Wonderland this year, so it's not out of the realm of possibility. We soar past the numbers we need for both subscribers and views as people watch the series, share it with their friends, and subscribe in record numbers for us. Not just the 1,000 subs we need for the basic monetization, but we scoot over the 10,000 subscriber line by the time we get back home and unpack after the long weekend.

If we kept seeing growth like that, even if it was slower and steadier, it would only be a matter of time until we had someone approach us with a sponsorship deal. Maybe it would be Raid: Shadow Legends (groan all you want, they're just an easy example), because they have an entire Alice in Wonderland set of characters, and they want to make the most out of that synergy. Maybe we even get approached by Raycon, and we can tell people how good their headphones are for privately listening to our terrifying tales, or how the clear sound is perfect for editing episodes without constantly interrupting work to recharge them. Regardless, the point is that sponsors will look at the size and fervor of your audience, but also at what kind of pitch they could make to them, and if they're a good fit. After all, you don't want to pitch a product that is antithetical to the needs and wants of a target audience.

The most frustrating part about all of this, though, is that we as creators have no control over this aspect of the business. All we can do is tell the best story possible, and use the tools we have available to try to engage with our audience, and hope that we can cut through all the algorithms, signal throttling, and the waves of slop to reach people who are interested in what we're trying to do.

So, on that note, check out The A.L.I.C.E. Files playlist, or watch the trailer, and see if you'd like to join the crusade to get us the numbers we need to at least get monetized, even if we never make it big enough to catch the eye of a paid sponsor.

Support The Literary Mercenary

If you want to see me produce more work, consider some of the following options!

- My Facebook

- My Blue Sky

- My LinkTree

- My Weekly Newsletter

- The Azukail Games YouTube Channel (where I contribute video content)

- The A.L.I.C.E. Files (an audio drama channel I launched with Alice Liddell)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel above!

Like, Follow, and Come Back Again!

That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!

 

And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list.

Can You Spot The Clues In "The A.L.I.C.E. Files"? (What Are Your Theories?)

As most regular readers know, for the past several months I've been working with Alice Liddell on a new YouTube channel that we launched called The A.L.I.C.E. Files. While I give more details in older posts like The A.L.I.C.E. Files Is Launching Soon (A Sci Fi Reimagining of Alice in Wonderland on YouTube), the general gist is that it's an ongoing audio drama with two separate stories going on. The first are the files themselves, which are narrated pieces of stand-alone fiction taken from the archives of the mysterious Carroll Institute, and which can be enjoyed on their own like any other fiction anthology. The other story, though, follows "Alice" and her position within the Carroll Institute as she meets her coworkers, learns things about this bizarre place she now works at, and realizes she is in the center of a far bigger web than she ever anticipated.

 

However, with the 7th episode Hearts and Tarts dropping, we're putting a little more gas into the show, and revving up the mystery elements with some actual clues in the videos and scripts themselves for viewers to really sink their teeth into so you can all delve deeper into the story as it unfolds, while coming up with your own theories about what's going on in this truly bizarre place!

 

And the deeper you go, the more there is to explore!

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

Is This A Budding ARG?

An ARG, or Alternate Reality Game, is an interactive narrative that uses the real world as a jumping off point, and which employs transmedia technologies to tell its story. That all sounds pretty technical, but if you've ever been over to the YouTube channel Game Theory, you've come across several examples of this. Suffice to say, this is a fancy term for when creators set up a mystery for people watching their show, reading their book, playing their game, etc. to solve that extends beyond the actual piece of media itself. It's when you end up playing a video game, finding a clue that makes no sense in the game itself, but then you follow that clue to a private YouTube channel, it gives you a video, and in the video there are other clues for you to follow, deepening the mystery as it stretches across platforms.

 

Full disclosure, we aren't going quite that big with The A.L.I.C.E. Files (at this point, anyway). However, there have been subtle clues going back to the trailer about some of what's been building in the background... it's in Hearts and Tarts, though, that we decided to open the door and really invite people to put their theorizing caps on, though.

 

Without giving anything away, I wanted to invite folks who enjoy these kinds of games to at the very least check out this episode, but it will make more sense if you go back to the beginning of the series and start with The A.L.I.C.E. Files Trailer, working your way forward. Though the one clue I will give you is that the files Alice has witnessed so far are not clues, in and of themselves. However, the information mentioned in the dossiers and write-ups that she mentioned may contain some references, Easter eggs, and possible starting points for building your own theories.

So, if this is the kind of thing you enjoy digging into, consider sharing what you think is a clue, and what you think they all mean, in the comment sections of our videos! We're hoping to get our community invested in figuring out exactly what's happening, and what is waiting for Alice in her uncertain future... especially now that she's had contact with [REDACTED]!

 

Support The Literary Mercenary

If you want to see me produce more work, consider some of the following options!

- My Facebook

- My Blue Sky

- My LinkTree

- My Weekly Newsletter

- The Azukail Games YouTube Channel (where I contribute video content)

- The A.L.I.C.E. Files (an audio drama channel I launched with Alice Liddell)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel above!

Like, Follow, and Come Back Again!

That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!

 

And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list.