Methods To Support Authors You Like (While Still Boycotting Amazon)

So, I wanted to start this week's post off with an apology. My last installment about how you could support authors by using the Kindle Unlimited platform while still hurting Amazon's bottom line was based on some faulty information on my part, and I took it down before it had a chance to spread any further than it already had. I know we are all trying to ensure our money doesn't go to causes and companies we don't want to support, and I didn't want to give anyone incorrect information.

That's also why this week I wanted to put together a follow-up for all the things you can do to support authors who may be facing hardships as more folks turn their backs on Amazon as a distribution platform. And while not all of these will apply to every author out there, there should be something on the list you can do to keep the writers in your life fed and sheltered so they can keep working hard on the next story for you and all your fellow readers!

And I may not have even covered all your options here!

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more! And, of course, check me out on Blue Sky, since that's what we're talking about today!

Option #1: Buy Somewhere Else

This seems obvious, but sometimes we get so narrowly focused on our normal shopping patterns that we forget there are still traditional bookstores out on the market. So if there is an author you want to support, but you're not going to Amazon, make sure you try alternative dealers. For example, my books Old Soldiers, Marked Territory, and Painted Cats are all available at Barnes and Noble, and you can get hold of them for about the same price if you've been meaning to check them out for yourself!

This goes for any merch your favorite authors put out that isn't just books. Whether it's tee shirts, stickers, hoodies, or something else, if they're selling through a site you aren't boycotting, consider grabbing an item or two to tide you (and your favorite writer) over.

Option #2: Buy In-Person

Most authors who have signing events, or who come to conventions, will have books on-hand for you to buy. This isn't news to most folks, but the major advantage of hand sales is that authors get to keep a majority of the value of the sale, rather than a bookstore gobbling it up to give them a pittance. So if an author in question is going to be at an event you're attending, or just somewhere local, consider showing up to get your copy... and for bonus points, hand them cash to cut down on charge fees!

Option #3: Support Their Free Work

While a lot of us write books, we also produce a lot of extra stuff as well. So if the authors you like put out podcasts, blogs, free short fictions on websites like Vocal, or if they run a YouTube channel, make sure that you consume and support those things as well! This has the added benefit that you're saving money, getting a bunch of extra things to enjoy, and the author you like is still getting paid at the end of the day.

For the record, folks can find a ton of free fiction of mine in my Vocal archive, and I've got audio dramas along with a lot of game-related stuff over on the Azukail Games YouTube channel... so subscribe to both of those if you haven't, and go through the archives when you've got time!

Option #4: Subscribe and Leave Tips

Very few of us actually depend on our book sales to handle 100% of our bills, and at this point in our lives a lot of authors have some kind of crowdfunding platform to help us cover our expenses. So in addition to following your favorite writers on all of their social media sites (Facebook, Blue Sky, Tumblr, and so on), and interacting with what they share there, take a moment to find out what crowdfunding websites we use. Some of us are on Patreon, some of us have Ko-Fi, some of us might even use Only Fans (we don't judge here), so find out where the creators you like are making things, and toss them a little support if you can! Even if it's just a few bucks a month, it makes a big difference if enough people do it!

Incidentally, you can find me on The Literary Mercenary's Patreon page, as well as on The Literary Mercenary's Ko-Fi, if you want to help me keep my records in the black.

Support The Literary Mercenary

If you want to see me produce more work, consider some of the following options!

- My Facebook

- My Blue Sky

- My LinkTree

- My Weekly Newsletter

- The Azukail Games YouTube Channel (where I contribute video content)

- My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel, as well as my Rumble channel listed above!

Like, Follow, and Come Back Again!

That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!

 

And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list. 

The Generative Aspect of A.I. Isn't The Problem... It's The Theft

Since the plagiarism software is still in the headlines (and many tech bros and corporations have attempted to force it to do jobs that it is objectively not capable of doing), I wanted to take this week's update to discuss something that I feel gets either overlooked in a lot of these discussions, or which some people are simply misunderstanding. However, it is not the "generative" part of these programs that's the issue; we've had the ability to do that for years. The problem is the theft, and the absolute lack of morals regarding what these programs are trained on in order to spit out their results.

Moral? Sorry, I thought you said MONEY, that's what I care about.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

It's Not What You Make, It's How You Learned To Make It

I first touched on this topic back in A.I. Started With Artists, But It's Coming For Authors, and there are some points I'd like to reiterate from that post. First and foremost, these programs are not intelligence, artificial or otherwise. They're just pattern-recognition software that sucks up data, and spits it back out at you. They're mimics that, more often than not, we anthropomorphisize so that we think they're smarter than they are. To reiterate, this is not a Terminator-style apocalypse; we are dealing with parrot programs that can do nothing except spit out various combinations of what's been put into them.

Which brings us to the second point. The reason people hate these programs is not because they're so much better than creators of all stripes. It's not because they, "allow anyone to make art/write a book," as so many out there claim when they get hate for using these programs. It's because they were fed stolen work to use as the basis for all of their creations. They are, quite literally, the product of theft. It's one of the main reasons the U.S. Copyright Office ruled that A.I. art cannot be copywritten.

Share these? With you? Why would I do that?

There are, for example, programs out there that don't use stolen material to train on, but which still generate results that can be used from what's in their database. For example, I recently talked about The Medieval Fantasy City Generator by Watabou, which is something that I've used for my Sundara: Dawn of a New Age TTRPG setting. I've generated dozens of maps of fantasy cities and towns using the push of a button, and then once I have a map I can fill in the details myself, and breathe life into the project. There have been generators for character names, random writing prompts, and more available for decades, and there are a lot of writers who've made use of those.

The generative aspect of these programs isn't the problem. If you were to take a generator and train it on public domain works like H.P. Lovecraft stories, the works of Edgar Allan Poe, or even paintings from Renaissance masters, no one would have a problem with that. Whether you used the results of these programs as inspiration for your own stories, or just to create cool cover art, you wouldn't be stealing work from anyone. You couldn't copyright anything created with the program, either, but if you're just using it for inspiration (or you don't care about making money) then that wouldn't be an issue.

But that's not how these programs are being used. Instead, businesses and corporations are stealing the work already created by artists, and they're being used to try to rip off those artists, authors, screen writers, etc. A classic example is Jane Friedman, who had to fight Amazon to have books with her name on them that were written by A.I. removed. Because if a business can pay nothing to get the material they're selling, and then make pure profit off of it, they're going to do that. Period. End of story.

So if you're wondering why so many creatives are angry at the proliferation of so-called A.I. programs, examine the source material that they're trained on. Because there are dozens upon dozens of prompts, machines, and engines that can spit out everything from fantasy cities to story prompts, but those which don't use material that was stolen from creatives don't generate any outrage.

When you're taking sides on an issue like this, look at who's on which side of the line. Then ask yourself if tech bros and corporations have ever been the good guys when it comes to situations like this.

Support The Literary Mercenary

If you want to see me produce more work, consider some of the following options!

- My Facebook

- My LinkTree

- My Weekly Newsletter

- The Azukail Games YouTube Channel (where I contribute video content)

- My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Also, if you're curious about how to write for tabletop RPGs, don't forget to check out my show Tabletop Mercenary, which you can find on both the Azukail Games channel, as well as my Rumble channel listed above!

Like, Follow, and Come Back Again!

That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, the Hardboiled Cat series about a mystery solving Maine Coon in Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!

 

And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list. 

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on Facebook, Tumblr, Twitter, and now on Pinterest as well!

The Reason Social Media Sucks For Everyone These Days (Not Just Creators)

Social media these days sucks. That's probably a statement you've heard before, and it's the sort of statement that sounds like the usual old person griping about how things have changed since their day. You hear it with fashion, movies, music, and every other aspect of life, so of course people are going to complain that social media was so much better when they were young, and in the prime of their life.

As someone who depends on social media for at least part of my living, though, you aren't imagining it. It really does suck more now than it did before... and if you're a creator, that's a storm that just might sink your boat.

And it doesn't look like it's going to get better any time soon.

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

The Enshittification of Everything

I really wish I could take credit for this term, but alas, I cannot. Enshittification, or to use its more polite term according to The Chainsaw platform decay, is basically a microcosm of the capitalist mindset on fast-forward.

So how does it work?

Well, the first stage of the cycle is where you create a platform, and do everything you possibly can to attract a huge user base to it. You charge little to no fees, you provide great features, you keep it open to as many people as possible, and most importantly you provide something of value to your audience. Maybe you're a search engine that gives fast, accurate results, an online storefront that gives you access to a massive amount of products at a low price, or maybe you're a social media platform that gives people a smooth timeline, ease of use, and the ability to connect to all of their friends.

Once a platform has made itself valuable to the users (often by running at a deficit, or by barely breaking even), that's when it starts altering its priorities. Maybe your social media site or your search engine starts slipping in more ads. It's subtle at first, but they're bringing in revenue, and they aren't too big of an eyesore. Maybe your video streaming platform ads a second ad at the beginning, or has several ad breaks throughout longer videos. Maybe your digital store now has "recommended" products at the top of your search results that are paid placement from clients who want to make sure shoppers see their stuff first. The platform isn't terrible yet, but it's taking its first steps down the path to hell.

Just sign here on the dotted line, if you will...

The decay continues as the platform's greed increases. Now the platform is choking off the signal for average creators, trying to squeeze money out of them to force them to pay for ad space. This also stops users from seeing anything from their friends, family and community. The platform increases the cost to bigger clients for ads as well, making it a huge pay-to-play market. In the end, no one other than the platform is getting anything out of this arrangement.

By the time you reach the end of the decay cycle, you have a platform that is rotten to the core. It's trying to squeeze its clients, its users, and the service it was providing is being actively degraded as it tries to charge you for more, and more, and more. And when all is said and done, there will come a point where everyone on both sides of the corrupt middleman dusts off their hands and simply says, "No more." They abandon the platform, moving on to somewhere else, and leaving the platform without the blood and treasure it needs to keep itself alive. Maybe it backs up and readjusts its course, but it's entirely possible that the platform just dies, leaving a power vacuum for something else to try to take its place.

This is Happening To Social Media Before Our Eyes

If you've been watching the trash fire that is Twitter, then you've seen this kind of action in real time. While the platform had its flaws before Musk took over, he put on the gas on the enshittification process. He started removing features users liked (and firing a lot of people to reduce the overhead), charging for things which were previously included (the ongoing saga of how much users would have to pay for the blue check mark), and actively alienating both users and clients with the way the platform was run.

Twitter is, of course, not the only platform dealing with this kind of decay.

We see it with Facebook, where user signals don't travel nearly as far as they once did, and creators are constantly encouraged to pay for advertising if they want people to see their posts. We see it on Reddit with the removal of fixes and work arounds that helped keep many communities functional. We see it on YouTube as they enact more and more stringent guidelines on many creators if they want to be monetized, eliminating entire genres of content off the platform, and leading to a bizarre kind of doublespeak as people try to avoid invoking the wrath of the algorithm.

And we're all suffering from this. The users in our audience, the creators writing books, running blogs, and making videos, and the companies who want to find a place to sell their products or sponsor us as creators... we're all getting squeezed.

And it's why so many of us rely on straight crowd funding these days.

I've got the numbers myself, just from my own little corner of the Internet. In ye olde days, I could share a blog post from Improved Initiative, or even from right here on The Literary Mercenary on just Facebook, and it would usually get around 400 hits just from the groups I shared it in. That was my bottom floor. If it was a popular topic it could get up to 800 or 1,000. If I also shared it on Reddit, I could easily see it climb to between 1,500 and 5,000 hits.

These days? I'm sharing my articles in more than double the locations on Facebook, and it generates about 20-50 hits. On Reddit I'm also going into more subs than I ever did in the past, and I'm lucky if a single post even breaks 1,000 hits. For something to get more than that it has to really catch the attention of a community, and start a small firestorm of replies, shares, etc. And even then, the reactions from the community are worth so much less than they were in the past, making it a monumental task to even be seen, much less to make sales.

So What The Hell Are We Supposed To Do?

As I said back in Why Writers Hate All These Twitter Alternatives (Hint: It's Because They're Useless), all of us are caught in the whirlpool of the drain of enshittification. It's not just Twitter, or Facebook, or Reddit, or YouTube. It's not just Amazon, or Netflix, or any other titan of industry... it's all of them. They grow as big as they can, crush their competition so they're the biggest name in town, and then they start turning the screws until eventually there's no more blood left in the stone.

So what are we going to do? Unfortunately, the answer boils down to, "Try our best to survive."

And that also means we need to rely on our audience more than ever.

Surviving has a lot of aspects to it. On the one hand, we need to try to navigate the changing faces of the platforms we're already using, even as they decay right under our feet. On another hand, we have to try to keep an eye out for replacement platforms that give us more tools, a more direct connection to our audience, or which help us find a bit of breathing room. And while we're doing all of that we still need to find time to actually create new content, write new books, or whatever else it is we're doing.

And let me tell you... it is exhausting trying to navigate a sinking ship day in and day out while also keeping an eye on the horizon for a more seaworthy ship, and remembering to play enough music for people to hear us. And most of us could really use a life preserver right about now.

Support The Literary Mercenary

For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

- My Facebook

- My LinkTree

- My Weekly Newsletter

- The Azukail Games YouTube Channel (where I contribute video content)

- My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Like, Follow, and Come Back Again!

That's all for this week's Business of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!

 

And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list. 

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on Facebook, Tumblr, Twitter, and now on Pinterest as well!

A.I. Started With Artists, But It's Coming For Authors

If you've been on social media any time in the past year, you're no doubt aware of the serious situation involving so-called A.I. art generation programs (which will, henceforth, be referred to as plagiarism software). In short, unscrupulous folks have been stealing art, and feeding it into these programs to train them. The computers (who have no real morality) amalgamate all of this art, and then spit out different combinations according to the prompts they're given. Despite the results, and all of the people who herald this as the birth of true artificial intelligence, these are just programs that are sorting and sifting what they've been told, trying to create some chimera out of their data bases that will pass muster.

And while this may have started with art, authors need to get into the trench right alongside illustrators and actors on this one. Because people are already trying to steal our work, and feed it to these bots in an attempt to instantly produce books they can then turn around and sell, regardless of the harm said books may do to authors, or even to those who rely on a text for more than mere entertainment.

Because this is not a fight we want to let corporations win. And they are trying like hell!

Before we get into the nitty gritty this week, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Lastly, to be sure you're following all of my followables, check out my LinkTree!

Lastly, don't forget to check out my Vocal archive for additional fiction, articles, explorations of weird history, and more!

What The Hell is Going On!?

This whole crisis is precipitated by a single fact; creators are seen as an obstacle to getting a product by those in charge. It's why studios don't want to pay actors and scriptwriters, it's why companies attempt to pay designers in exposure, it's why YouTube demands you provide them thousands of hours of free content before they'll share ad revenue with you, and it's why a lot of unscrupulous publishers will attempt to cut royalties to the bone all while encouraging writers to keep putting words on the page. Despite the fact that creators are the ones doing all of the work, the idea is always to ask how a company can pay them even less without losing out on the amount of creative work it has to sell to the public.

From that perspective, this software is the answer to their prayers. It allows them to take all the work that exists (if they're willing to completely ignore copyright law, morality, etc.), feed it into a big hopper, push a button, and have the machine spit out a fully complete work on the other side. Best of all, they can then turn around and start selling that machine-created product without paying a single author, or waiting for a living, breathing human being to finish the job.

And it's not just the big wigs who are acting like this is the death knell of authors as a species. Because while tech bros are strutting around like the fox that got the chicken, those who take an inordinate amount of pleasure at kicking down at creatives while simultaneously building their identities around fandoms and properties, have been braying that now we'll all have to, "Go get real jobs."

Unfortunately, the paint is already peeling off this rusting dream of theirs, and the wheels are making a decidedly awful sound as they get ready to come off.

I predict this going up in a fireball any day now.

The reason is, quite simply, plagiarism software isn't intelligence (artificial or otherwise). It is, in fact, rather stupid. All it can do is regurgitate what's been fed to it, and rearrange that information, attempting to predict what order would make it work best. While it might be able to mimic the style of a particular author, it doesn't have the ability to truly plot a novel, make realistic sounding dialogue, or create anything truly new. These programs are great at doing technical tasks (predicting shopping lists, figuring out based on past data whether a given property warrants a remake, etc.), but they aren't some kind of magic button that produces solid-gold novels that will fly off the shelves (despite some people trying this exact tactic, according to CNN).

This is bad enough when it comes to fiction, but as college students have found out, these programs aren't capable of thinking; they just spit out what they think you want to hear. As such, they'll confidently mess up facts, but write it in a way that seems legitimate. This is what makes things like foraging guides produced by chatbots so dangerous... because sure, a company didn't pay an author to write that guide. They're also trusting in an extremely unreliable collection of 1s and 0s to tell people which mushrooms are safe to eat, and which ones will kill them.

A Note on The Troglodytes

Generally speaking, you're supposed to be even-handed with people. You're supposed to try to see things from their perspective, and to try to reach a middle ground. This is particularly true when you are an author, and your brand is just as much about who you are and how you act as it is about the work you create. However, there are a lot of people out there who aren't actually interested in this conversation, nor do they care about how authors, artists, and others are routinely exploited. They just show up in the comments section to jeer, sling mud, and to howl at you to stop whining and pull yourself up by your bootstraps instead of trying to get paid for doing a hobby.

I will not mince words here. These people are troglodytes, and though they've certainly come out of the woodwork thanks to plagiarism software taking center stage, they've always been here. And, in a practical sense, their opinions have always been irrelevant to creators for one, simple reason.

They have never supported us. They have never cared about us. And no matter what you offer them, or how cordial you are, they are no different than the corporate overlords when it comes to exploitation; they just don't bother putting a pleasant face on it.

I'll give you an example that I feel is relevant, here.

As my regular readers know, I write a lot of TTRPG supplements to pay my bills. Whether it's things like my recent release 100 Sci Fi Bands, filled with musicians to set the scene in your cantina, 100 Superstitions For a Fantasy Setting to help you add a little extra detail to your next DND game, or even something like the popular 100 Merchants to Encounter so you aren't scrambling to make up characters at the drop of a hat, this is where the bulk of my earnings comes from.

And holy shit do troglodytes love to accuse me of being a bot!

It happens at least a couple of times a month, but it has shifted and changed over the past year. At first they accused me of building a bot to promote my work, which I'm not tech-savvy enough to do. As these programs have gained popularity, though, they instead claim that I'm just generating lists using this software and tossing them out there, hoping people are stupid enough to buy them. However, when I point out that a lot of my supplements pre-date the existence of these programs, their tune changes, saying that if they wanted a list like this for their game that they would just download a program and hit the button because it's free.

Could you mimic some of my supplements with a chat bot? Probably. As long as it didn't have to keep certain sets of world rules in mind, build balanced magic items, create unique plot hooks, or even maintain proper grammar, I'd say a bot could make a knockoff of the kind of work I do. And for some people, that would be good enough. They'd rather get bot slop for free, than pay a creator even a few dollars.

Because, and I feel this must be stressed, they do not care. If they couldn't get this resource via a plagiarism chat bot, they would attempt to pirate your content so you didn't get paid, or they would start some kind of forum posting war to try and get the community to do as much work on their behalf as possible. These are the same people who will sneer that they're not going to buy your novel because there's so much content available online for free that they don't need you on their to-read pile, or who will loudly demand that you provide free work for them to somehow prove you're a "real" creator.

There is nothing you can do to convince troglodytes to re-examine their biases, and to empathize with creators. What we can do, though, is try to find people who may not understand the issue, and explain to them what's happening. Showing them how a given issue affects all of us, and how the decisions they make can have repercussions, is possible. Winning hearts and minds on this issue is important, since too many folks just don't get a glimpse behind the scenes when it comes to the life of creative professionals.

Have meaningful, useful conversations with you can, but don't bother with the troglodytes. Stay vigilant, stay loud, and don't give up!

Support The Literary Mercenary

For folks who just want to do their part to help keep me making more content, please subscribe/follow me in these locations:

- My Facebook

- My LinkTree

- My Weekly Newsletter

- The Azukail Games YouTube Channel (where I contribute video content)

- My Rumble Channel (longer videos that won't show up on YouTube)

And if you happen to have some spare dosh lying around, and you want to be sure my supply doesn't run low, consider become a Patreon patron, or leaving a tip by Buying Me a Ko-Fi!

Like, Follow, and Come Back Again!

That's all for this week's Craft of Writing! For more of my work, check out my Vocal archive, or at My Amazon Author Page where you can find books like my sci-fi dystopian thriller Old Soldiers, my sword and sorcery novel Crier's Knife, or my most recent short story collection The Rejects!

 

And to stay on top of all my latest news and releases, collected once a week, make sure you subscribe to The Literary Mercenary's mailing list. 

If you'd like to help support my work, then consider Buying Me A Ko-Fi, or heading over to The Literary Mercenary's Patreon page! Lastly, to keep up with my latest, follow me on Facebook, Tumblr, Twitter, and now on Pinterest as well!